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How to Use your Eyes 2008

Elkins, James. How to Use your Eyes. Colchester, UK: Taylor and Francis, 2008.
Living Cartography 1994

Fischlin, Daniel and Andrew Taylor. Living Cartography Border Crossings (1994): 64-66.
An Approach to the Synthesis of Life 1991

Ray, Thomas. An Approach to the Synthesis of Life In Artificial Life II, edited by Christopher Langton and Charles Taylor and Steen et. al. RasmussenVol.XI. , 371 - 408. Redwood City, California: Addison-Wesley, 1991.
Taylor D. Grant

Scholar: Taylor D. Grant
The Art of the Thinking Space: A Space Filled with Data. 2020

Fleischmann, Monika and Wolfgang Strauss. The Art of the Thinking Space: A Space Filled with Data. In Digital Creativity: Shifting Boundaries: Practices and Theories, Arts and Technologies,, edited by Antony BrooksVol.31, Nr. 3. DOI:
The Art of the Thinking Space: A Space Filled with Data.Vol. 31, No. 3: Shifting Boundaries: Practices and Theories, Arts and Technologies, 2020

Fleischmann, Monika and Wolfgang Strauss. The Art of the Thinking Space: A Space Filled with Data. Vol. 31, No. 3: Shifting Boundaries: Practices and Theories, Arts and Technologies, In Digital Creativity: Shifting Boundaries: Practices and
The Art of the Thinking Space: A Space Filled with Data.Vol. 31, No. 3: Shifting Boundaries: Practices and Theories, Arts and Technologies, 2020

Fleischmann, Monika and Wolfgang Strauss. The Art of the Thinking Space: A Space Filled with Data. Vol. 31, No. 3: Shifting Boundaries: Practices and Theories, Arts and Technologies, In Digital Creativity: Shifting Boundaries: Practices and
Creative Technologies and Innovation: Health and Wellbeing 2016

DOMINGUES, DIANA MARIA G, ed. Creative Technologies and Innovation: Health and Wellbeing. Vol.1000. 27 th ed.UK: Taylor & Francis, Routlege, 2016.
Cyberart and interfaces: the coupled body 2004

DOMINGUES, DIANA MARIA G. Cyberart and interfaces: the coupled body Digital Creativity, Taylor & Francis 3, no. 15 (2004): 159-173.
E-Sparks 2001 - 2005

The goal of this project is an audio-visual interactive installation to explore the creative content and suggestions that the artificial life (alife) environments have in their potentialities. The suggestion the Plancton Art Studio wants to

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