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  • "Flatsun," 2011 Custom-made LED screen, computerized surveillance tracking system, fluid dynamic algorithms (Navier Stokes, fractal flames, reaction diffusion and Perlin noise), aluminium, stainless steel, glass 55.12" / 140 cm diameter 6.3" / 6
  • Gulliver's Travels ©1998, C. Sommerer, L. Mignonneau and R. Lopez Gulliver Visitors are inserted with a 3D panorama representing a natural forest. The forest was photographed with 2 analog photographic machines with several shots. The third
  • Rolland, Jannick and William Gibson. Towards Quantifying Depth and Size Perception in Virtual Environments Presence: Teleoperators and Virtual Environments 4, no. 1 (Winter 1995): 24-49.
  • Slater, Mel and Martin Usoh and A. Steed. Depth of Presence in Virtual Environments Presence: Teleoperators and Virtual Environments 3, no. 2 (1994): 130-144.
  • video 6,'08 Album: Algida Bellezza, Netherworld (Glacial Movements) The video for the track Orcinus Orca followed the release of the album Algida Bellezza (Alessandro Tedeschi aka Netherworld, Glacial Movements, 2019). The music captured artist’s
  • “falling asleep” is an online interactive and performative virtual self-portrait, a ludic yet introspective journey into the depths of sleeplessness and the artist’s long-lasting struggle with insomnia. Clones of Martina’s body fall relentlessly and
  • casares, nilo, ed. irmos de escaparates unha mostra de arte contemporánea para que saias da casa. Vol.1. 1 th ed.a coruña, spain: concelho da corunha, xunta de galicia e deputación da coruña, 2009.
  • Verotsko, Roman (Illustrations), ed. Derivation of the Laws. Minneapolis, US: A limited edition, St. Sebastian Press, Minneapolis, 1991.
  • Rodrigues, Sadira. Origin: A Primary Source: Derivation Present: UBC MFA Graduation Catalogue, UBC Belkin Gallery (September 2001 2001): 16-20.
  • Crystal Math. 1-channel video, 5.1 sound, 5000 m nylon-wire With thousands of meters of nylon threat Sylvia Eckermann produced a spider web that serves as the captivating projection screen for her "expressive verbal image" (Sabine Dreher) with which