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datamatics [prototype-ver.2.0]
2006
-
2008
Using pure data as a source for sound and visuals, datamatics combines abstract and mimetic presentations of matter, time and space in a powerful and breathtakingly accomplished work. datamatics is the second audiovisual concert in Ryoji Ikeda's...
Datamining Bodies in Ruhr
2000
-
2001
The project takes on two forms - the installation in an old mine in Dortmund: Zeche Zollern II/IV and the online version. The site-specific installation is experiential with sound taking on an important role. Spatialized sound is triggered by...
date | place
2010
Ikeda, Ryoji. date | place. Atelier de Création Radiophonique(ACR), France Culture: Èdition DIS VOIR, FR, 2010.
Datenbank der Virtuellen Kunst
2000
Grau, Oliver. Datenbank der Virtuellen Kunst Kunstchronik 11 (2000).
Datenbank der Virtuellen Kunst
2001
Grau, Oliver. Datenbank der Virtuellen Kunst In Electronic Imaging and the Visual Arts 2001, , 135-140. Berlin: 2001.
Datenbank für Virtuelle Kunst
2004
Grau, Oliver and Ulrike Reinhard. Datenbank für Virtuelle Kunst In Digitale Transformationen. Medienkunst als Schnittstelle von Kunst, Wissenschaft, Wirtschaft und Gesellschaft, edited by Monika Fleischmann, 207-209. Heidelberg: Whois Verlag, 2004.
Datumsoria: The Return of the Real
2017
-
2018
Event: Datumsoria: The Return of the RealInstitution: ZKM - Center for Art and MediaComment:
Daueraustellung
Event: DaueraustellungInstitution: Jüdisches Museum BerlinComment:
Dave Colangelo
Artist: Dave ColangeloComment:
Dave Everitt
Having originally qualified in Fine Art at Trent Polytechnic, Nottingham U.K, from 1997 I began to combine computing with creative work at Loughborough University's computer science Human-Computer Interface department. Around 2000 this produced two...
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