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Peter William Holden
It's hard to see a photograph physically fading, erasing itself with the bombardment of light but hold no doubts it is subtly becoming elusive like all we hold dear. I often find myself contemplating the fragility of the moment, and I believe this
William Kentridge
South African draughtsman, film maker and sculptor William Kentridge studied at the Johannesburg Art Foundation and the Ecole Jacques Lecoq in Paris. In 1998, a major retrospective exhibition opened at the Palais des Beaux-Arts, Brussels. A second
Future Cinema
2002
FUTURE CINEMA The Cinematic Imaginary after Film Curated by Jeffrey Shaw and Peter Weibel 16 November 2002 - 30 March 2003 ZKM Karlsruhe | atria 8 & 9, Media Theater [Admission :: EUR 5,10/3,10] Press conference : 14. November, 11am,
CrayVox in Space(d) Art out of Place Biennale
2012
Event: CrayVox in Space(d) Art out of Place BiennaleInstitution: Fremantle Art CenterComment:
Sensing Place. Zur medialen Durchdringung des urbanen Raums
2012
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2012
Event: Sensing Place. Zur medialen Durchdringung des urbanen RaumsInstitution: HeK Haus der elektronischen Künste BaselComment:
ONE PLACE NEXT TO ANOTHER
2014
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2014
Event: ONE PLACE NEXT TO ANOTHERInstitution: Winzavod Centre for Contemporary ArtComment:
Performance "Schwelle II" at Cinquiéme salle
2007
Event: Performance "Schwelle II" at Cinquiéme salleInstitution: Place Des ArtsComment:
Aaron Koblin
Aaron Koblin, creator of the interactive version of House of Cards, on display in the exhibition, is an artist specialising in data visualisation. Koblin’s work has been shown at international festivals including Ars Electronica, SIGGRAPH, OFFF, the
Edward Kulemin
1960 - born in town Yaroslavl, Russia; 1984 - graduated from the Moscow Power Engineering Institute; - an artist, poet, author of many art-projects; - an inspirator and organiser of various communication creative societies (KEPNOS,
Mirko Lazovic
Mirko Lazović graduated at the University of Arts in Belgrade and Royal Academy in The Hague, got his MA from the Royal Conservatory in the Hague (2008). His installations place strong thematic emphasis on presence, interactivity, and compositional
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