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  • Courchesne, Luc. Posture: An experiment in multifold reality In Architecture In Formation, edited by Pablo Lorenzo-Eiroa and A. SprecherNew York: Routledge: 2013.
  • Fleischmann, Monika and Wolfgang Strauss. The Body as an Interface DOMUS: Magazin for Architecture Design Art Communication 779 (Februar 1996 1997).
  • Fisher, Scott S.. Environmental Media: Linking Virtual Environments to the Real World In Creative Digital Media: Its Impact on the New Century, Tokyo, Japan: Keio University Press, 2001.
  • Nevel -
    A matrix of nine pivoting walls forms a labyrinth whose architecture continuously changes. A sequence of different compositions creates choreography of spaces flowing into one another. It is an auto choreographic space to wander and get lost in,
  • Shimohara, Katsunori. Information Processing based on Life-like Paradigm Journal of Information Processing Society of Japan 36, no. 4 (April 1995).
  • Telecommunications event between Rio de Janeiro and São Paulo uniting fax and live TV, 1988. Connecting the public medium of television with the private medium of the fax this work created a system of feedback based on the continuous exchange and
  • VENOMENON -
    Based on her continuous research on counterfactual thinking, media artist Elke Reinhuber explores how to present a narrative in a multi-linear manner by fragmenting and dissecting it for the audience. Venomenon was shot in stereo 3D, completely on
  • Shirt -
    Video installation A men's shirt is placed on a hanger in front of a wall. The shirt is open and reveals the inside of the back panel, where a vertical crack is projected. The crack appears to blow easily in the wind. The crack allows visual
  • 2016 Tsinghua University Art Museum "Dialogue with Leonardo da Vinci / The 4th Art & Science International Exhibition" (September 11, 2016 - December 9, 2016 | December 20, 2016 - March 19, 2017) Curated by: Yang Dongjiang With works by: Leonardo Da
  • Naimark, Michael. VR Webcams: Time Artifacts as Positive Features In ISEA 2002 Proceedings, Nagoya, Japan: 2002.