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  • Public Communication Sculpture
    Fujimura, Noriyuki. Public Communication Sculpture In CAST01 Conference Bonn, Bonn, DE: 2001.
  • Cities/Scenes
    Straw, Will and Janine Marchessault. Cities/Scenes Public , no. 22/23 (2002).
  • Public CulturalProduction Art(Software){
    Public CulturalProduction Art(Software){Author: Paul, Christiane
  • The Similar Eye: Proxy Life and Public Space
    Oliver, Julian. The Similar Eye: Proxy Life and Public Space In Computer Gambes and Digital Cultures Conference Proceedings, : Tampere University Press, 2002.
  • Communism´s Afterlives: Part II
    Kisseleva, Olga and Elena Sorakina and Natasa Petresin-Bachelez. Communism´s Afterlives: Part II In Proceedings of the Conference Communism's Afterlife, Brussels: The Public School, 2010.
  • Ethan Bach
    Ethan Bach is internationally known for his media art which is primarily in immersive and interactive media. Bach received an MFA in Electronic Arts from Rensselaer Polytechnic Institute in 2008 and BA in Media Production from The Evergreen State
  • Gijs Bakker
    Gijs Bakker was trained as a jewellery and industrial-designer at the Gerrit Rietveld Academie in Amsterdam, the Netherlands and the Konstfack Skolen in Stockholm, Sweden. Bakker's designs cover jewellery, home accessories and household appliances,
  • Giselle Beiguelman
    Giselle Beiguelman is a media artist and Professor at the School of Architecture and Urbanism of the University of Sao Paulo (FAU-USP). Her work include interventions in public spaces, networked projects and mobile art applications, exhibited
  • The Sky is (not) the Limit: Envisioning the Ultimate Public Media Display
    Huhtamo, Erkki. The Sky is (not) the Limit: Envisioning the Ultimate Public Media Display The Journal of Visual Culture 8, no. 3 (December 2009): 329-348.
  • Between Public and Private Space: The Art of Sanja Iveković
    Kluszczyński, Ryszard W.. Between Public and Private Space: The Art of Sanja Iveković In Sanja Iveković: Is This My True Face, edited by Tihomir Milovac, 5-15. Zagreb: Museum of Contemporary Art, 1998.
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