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  • Ascott, Roy. Concerning Nets and Spurs / Netze und Sporen In Artificial Intelligence in the Arts, edited by Richard Kriesche, 44-51. Graz, AUT: Steirischer Herbst, 1985.
  • Weibel, Peter. The Earth as Brainwork In Artificial Intelligence in the Arts, edited by Richard Kriesche, 104-105. Graz: 1985.
  • Kac, Eduardo. Telepresence Art In Teleskulptur, edited by Richard Kriesche, 48-72. Graz, Austria: Kulturdata, 1993.
  • Artist: Deborah KrikunComment:
  • Image Fulgurator -
    The Image Fulgurator is a device for physically manipulating photographs. It intervenes when a photo is being taken, without the photographer being able to detect anything. The manipulation is only visible on the photo afterwards. In principle,
  • Weibel, Peter. Die Medienkunst und der veränderte Werkbegriff In Zur Definition eines neuen Kunstbegriffs, edited by Galerie Krinzinger, 21ff. : 1979.
  • Can we know insects through electronic and artistic interfaces? Do they know us? Can they experience art? Can we develop new relationships with them? I built a miniature museum space and used telepresent technologies to re-scale the situation and to
  • Paulsen, Kris. Image as Place, The Phenomenal Screen in Kit Galloway & Sherrie Rabinowitz’s Satellite Arts 1977 Leonardo Electronic Almanac 19, no. 2 (2013): 98-111.
  • Kacunko, Slavko. Österreich. Wirklichkeitskonstruktionen, Datenerfassung und Telekommunikation. Weibel, Kriesche, Adrian, Mark, Tanterl, Ruprechter, Schnell In Closed Circuit Videoinstallationen, edited by Slavko KacunkoBerlin: Logos, 2004.
  • Wie das leise Spiel an der Kinder-Krippe fügen sich Formen im Schattenspiel zu einer Geschichte. Das hat etwas Zauberhaftes, doch die Bilder brechen schnell mit der vermeintlichen Idylle. Die indische Künstlerin Nalini Malani ist mit ihrer