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Hybrid Space
2002
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2002
This work on lies and propaganda completes the “decor” of a Museum from the Soviet era that is nonetheless open to contemporary art. The almost constant real/virtual duality blends with that of solitude/multitude. The polar explorer, an isolated
CTRL (space): Rhetorics of Surveillance from Bentham to Big Brother
2002
Levin, Thomas Y. and Ursula Frohne, ed. CTRL (space): Rhetorics of Surveillance from Bentham to Big Brother. Cambridge, MA: MIT Press, 2002.
Open Media Art from the Screen to the Public Space
2014
Event: Open Media Art from the Screen to the Public SpaceInstitution: The End of Media, the Beginning of Art, Polytech.Science.ArtComment:
Is Life Beautiful? On Lin Pey-Chwen´s Anti-Tech Tech Art
2011
Yeh, C. J.. Is Life Beautiful? On Lin Pey-Chwen´s Anti-Tech Tech Art Ming Chuan - Magazine (2011): 53-56.
Style Space: How to compare image sets and follow their evolution
2011
Manovich, Lev. Style Space: How to compare image sets and follow their evolution http://manovich.net/index.php/projects/style-space.
Overscale Art in Public Space: from Play to Dysplay
2016
Event: Overscale Art in Public Space: from Play to DysplayInstitution: ISEA2016Comment:
Art Bodensee 2012 – Solo presentation in THE VIEW Contemporary Art Space
2012
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2012
2012 Art Bodensee 2012 (13.-15. July 2012) Solo presentation in "The View Contemporary Art Space" Curator: Anna Emmerling - Dornbirn, Austria
Sommerer, Christa, Mignonneau, Laurent, Lecture at Artificial Life V Conference, Nara, Japan
1996
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1996
May 16-18, 1996 · Nara, Japan
The Space of Infrathin Difference: Non-similar Similarity in Duchamp’s Art
2010
Berlot, Uršula. The Space of Infrathin Difference: Non-similar Similarity in Duchamp’s Art Sodobnost, nov. 2010/74. Ljubljana: Kulturno-umetniško društvo Sodobnost International (2010).
The Burning Edge: Making Space, Activating Form
2012
Event: The Burning Edge: Making Space, Activating FormInstitution: Run Run Shaw Creative Media CentreComment:
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