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  • Sommerer, Christa, "Cultural Interfaces combining Art and Research", Lecture at ELIA "Research: In and Through The Arts" Conference, Universität der Künste Berlin (Germany), 14.10.2005 -
    Event: Sommerer, Christa, "Cultural Interfaces combining Art and Research", Lecture at ELIA "Research: In and Through The Arts" Conference, Universität der Künste Berlin (Germany), 14.10.2005Institution: Universität der Künste Berlin UDKComment:
  • Catherine B Fisher
    Dr. Catherine B. Fisher has been an exhibited and published artist for over forty years. She lives in the Sutherland Shire of New South Wales, Australia. Her artworks are nationally award-winning & multi-disciplinary - printmaking, digital art,
  • SoundSlam -
    ... all night in overcrowded clubs and producing trax in the studio...
  • Enjeux video
    Stage performance with three dancers and sixty plastic boxes as scenographic objects, video mapping surfaces, and sound and light sources. Analogy between geopolitics and children's games. Internet found-footage combining images of Syrian refugee
  • Optical Diffraction -
    Video installation – diptych: Upper part: video projection: Bodyfraction 2020 (Uršula Berlot & Sunčana Kuljiš), Hyperoptics 2021 (Uršula Berlot); sound: Scanner – Robin Rimbaud Lower part: light image-object: laser-cut and digital print on
  • Station Rose
    ... in their work. Their Gunafa Clubbings were the first AV- and...
  • CoMciência: Time Crystals -
    Event: CoMciência: Time CrystalsInstitution: Museum GerdauComment:
  • Place - Urbanity - video
    Melbourne is a notably multicultural city because of the size and diversity of its many immigrant communities. Melbourne also has the reputation of being the comedy capital of Australia. PLACE ‚ URBANITY presents fifteen fully panoramic video
  • CodeZebra -
    ... spoken word events at festival, clubs, cyber cafes; and responsive...
  • One-person Touchscreen Cinema Showing 14 Interactive Movies -
    This collection of experimental interactive movies, made by the artist over several years, shows live-action works in which the visual metaphors for interaction are inherent in the filmic material. Because the movies are conceived from a visual
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