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Museum of Brazilian Art, Fundação Armando Alvares Penteado, São Paulo, Brazil
I'Mito: zapping zone
2005
DOMINGUES, DIANA MARIA G. I'Mito: zapping zone In Direções no novo espaço - Histórias da arte e do espaç, edited by Paulo Sergio DuarteVol.6. , 60-60. 5ª Bienal do Mercosul: Fundação Bienal do Mercosul, 2005.
I'Mito: zapping zone
2005
DOMINGUES, DIANA MARIA G. I'Mito: zapping zone In Direções no novo espaço - Histórias da arte e do espaç, edited by Paulo Sergio DuarteVol.6. , 60-60. 5ª Bienal do Mercosul: Fundação Bienal do Mercosul, 2005.
I'Mito: zapping zone
2005
DOMINGUES, DIANA MARIA G. I'Mito: zapping zone In Direções no novo espaço - Histórias da arte e do espaç, edited by Paulo Sergio DuarteVol.6. , 60-60. 5ª Bienal do Mercosul: Fundação Bienal do Mercosul, 2005.
I'Mito: zapping zone
2005
DOMINGUES, DIANA MARIA G. I'Mito: zapping zone In Direções no novo espaço - Histórias da arte e do espaç, edited by Paulo Sergio DuarteVol.6. , 60-60. 5ª Bienal do Mercosul: Fundação Bienal do Mercosul, 2005.
PULSAÇÃO OU ONDA OU VERMELHO, NÃO VERDE
1986
-
1986
Instalação multimídia com néon, gravador e fita cassete, repetindo gráficos de eletrocardiogramas, transcritos no néon, que geram sensações de viver no interior de um coração.
Conor McGarrigle
Conor McGarrigle is an artist and researcher working at the intersection of digital networks and real space. Coming from a background in net art, his work is concerned with the ways that digital networks are entangled in all aspects of everyday
Roc Parés
Roc Parés Burguès (Mexico, 1968. Lives and works in Catalonia since 1983). http://roc-pares.net Professional profile • Researcher of the Interactive Communication Group of DigiDoc, UPF. • Professor of Interactive Communication and Media Arts:
Moving Image. Images en Moviment. Electronic Art
1992
Klotz, Heinrich, ed. Moving Image. Images en Moviment. Electronic Art. München: Oktagon Verlag, 1992.
Luc Courchesne : The Visitor : Living by Numbers
2003
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2003
Event: Luc Courchesne : The Visitor : Living by NumbersInstitution: Fundació "la Caixa"Comment:
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