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  • Can we know insects through electronic and artistic interfaces? Do they know us? Can they experience art? Can we develop new relationships with them? I built a miniature museum space and used telepresent technologies to re-scale the situation and to
  • Sylvia Eckermann In Sylvia Eckermann's work, a discursive engagement with form and media culminates in critical artistic reflections about our entanglement as individuals in current socio-economic situations. Eckermann works with various media
  • Paulsen, Kris. Image as Place, The Phenomenal Screen in Kit Galloway & Sherrie Rabinowitz’s Satellite Arts 1977 Leonardo Electronic Almanac 19, no. 2 (2013): 98-111.
  • Hedinger, Johannes and Thorsten Meyer, ed. What's next? Kunst nach der Krise. Berlin: Kulturverlag Kadmos, 2013.
  • Event: ... Krise ist immer...Institution: steirischer herbstComment:
  • Internetscapes -
    Internetscapes series of Electronic Drawings initially developed as project pages for "Untitled". Web2 Krisenstab (Web2 Crisis Staff) Internetbauanleitung (Internet Construction Manual) Netzitadelle (Internet Citadel) Internetscape
  • Ebner, Jorn. Internetscape: Web2 Krisenstab Artist Project Page Untitled 44 (Spring 2008).
  • Grau, Oliver and Janina Hoth and Eveline Wandl-Vogt, ed. Digital Art through the Looking Glass: New strategies for archiving, collecting and preserving in Digital Humanities. Krems a. d. Donau: Edition Donau-Universität, 2019.
  • An interdisciplinary forum of over 70 researchers and artists from all over the world, re:place 2007 presents multiple historical relations between art, science and technology. The title ‘re:place’ refers to the sites and the migration of artistic
  • Andres Burbano is currently Associate Professor in the Department of Design at Universidad de los Andes in Bogota, Colombia. Burbano holds a Ph.D. in Media Arts and Technology from the University of California Santa Barbara where he wrote a