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Rome Media Art Festival
2018
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2018
...ome Media Art FestivalInstitution:
MAX
XI MuseumComment:
Synthetisch: Biologie und Kunst
2018
Hauser, Jens and Ingeborg Reichle and Hans-Jörg Rheinberger. Synthetisch: Biologie und Kunst In Experimentalität: Hans-Jörg Rheinberger im Gespräch über Labor, Atelier und Archiv, edited by Hans-Jörg Rheinberger, 94-103. Berlin: Kulturverlag
UFF (Unidentified Flying Food)
2013
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2013
The "UFF" situation took place in Graz, Austria from 17-22 May 2013 and was concerned with food generally, and more specifically with the industrialisation of Austrian farming practices and the impact of this on animal welfare, the environment, and
Tempo e Spazio Nell’Arte in Rete
2005
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2005
... in ReteInstitution:
MAX
XI MuseumComment:
max
mip tex
2001
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2001
... catalogue' nature of
Max
_Miptex and visions of the...
I N S N (H) A K (R) E S
2000
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2000
This installation was mounted in November 2001 in Athens, Greece, during the media@terra event, as a Brazilian representation artist. DOMINGUES, Diana . INS(H)NAK(R)ES. Media@Earth 2000, Athens, p. 37-38, 2000
Metabodies
2013
This project investigates the unexpected diversity to be found on the human ecosystem and its 'social network'; this, by focusing on the language of billions of bacteria, which populate it. Sonja Bäumel tested two subjects each of them left hand
Urbano cíbrido: átimos calmos em comunicação ubíqua e móvel por conexões transparentes
2008
DOMINGUES, DIANA MARIA G. Urbano cíbrido: átimos calmos em comunicação ubíqua e móvel por conexões transparentes II Simpósio da ABCiber (2008).
Entre Sensíveis Pixels: espaço-tempo-agora
2013
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2013
A exposição Entre Sensíveis Pixels: espaço –tempo – agora leva ao Estúdio Galeria Mamute, uma discussão a respeito da arte em diálogo com as tecnologias digitais e com os questionamentos deste tempo. Uma mostra que pensa a condição na qual o
Digital Art in Cuba: Increasing enthusiasm for Digital Art
2002
Atkan, Nancy. Digital Art in Cuba: Increasing enthusiasm for Digital Art New York Arts Review 2, no. 7 (July 2002).
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