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  • Noll, A. Michael. The Digital Computer as a Creative Medium IEEE Spectrum IV, no. 10 (October 1967): 89-95.
  • Can we know insects through electronic and artistic interfaces? Do they know us? Can they experience art? Can we develop new relationships with them? I built a miniature museum space and used telepresent technologies to re-scale the situation and to
  • Event: Performance "Nomad: The River"Institution: Trinity College Performing ArtsComment:
  • Poetrica -
    Poetrica is an investigation about reading and reception in entropic and cybrid situations and a practice of appropriation of the advertisement system as public space. It was launched at Galeria Vermelho, in São Paulo, 2003, and closed in
  • URnotHere - video
    URnotHere is a machine to create cities that confronts the hyperlocative discourse of social media interfaces. It challenges us to create a new geography of nomadic territories on transitory maps. Moreover, the project aims to discuss the landscape
  • DOMINGUES, DIANA MARIA G. A emergência de emoções Artificiais: a condição interface ada vivida seamless, nômade, móvel e autônoma em Ciberinstalações Emoção Artificial 3.0 interfaces cibernética (2007).
  • PLACE-Turkey (YER-Türkiye) takes participants on an embodied journey through a virtual landscape of panoramic photographic scenes and cinematic events. It utilizes the interaction paradigm first developed in PLACE-a user’s manual (1995), which is a
  • Beiguelman, Giselle and Jorge La Ferla, ed. Nomadismos Tecnológicos (Dispositivos móviles: usos masivos y prácticas artísticas). Buenos Aires: Ariel, 2011.
  • Sanchez Cardona, LM. The making of a nomenclature: José Iges on Radiophonic Art In Radio Art and Music. Culture, Aesthetics, Politics, edited by Pim Verhulst and Jarmila MildorfLondon: Lexington Books, 2020.
  • Liana Timm interview Simone Michelin, in the radio series Arte em Sintonia, produced in Porto Alegre, RS, Brazil