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  • Biotica: Art, Emergence and Artificial Life
    Brown, Richard and Lane Giles, ed. Biotica: Art, Emergence and Artificial Life. London: RCA Computer Related Design Research, 2001.
  • Cyberstar winner from OZ
    Fleischmann, Monika. Cyberstar winner from OZ DESIGN, I3 Magazine, EU ESPRIT projects (1998): 666-669.
  • Büro mit Flügeln: Errechnetes Design als praktische Kunstform
    Fleischmann, Monika and Wolfgang Strauss. Büro mit Flügeln: Errechnetes Design als praktische Kunstform Mensch and Büro 2 (1991).
  • Driessens & Verstappen
    The Amsterdam based artist couple Erwin Driessens (1963 Wessem) and Maria Verstappen (1964 Someren) have worked together since 1990. After their study at the Maastricht Academy of Fine Arts and the Rijksacademy Amsterdam, they jointly developed a
  • CAD in Architektur und Design. Die ergonomische Gestaltung von Räumen
    Fleischmann, Monika and Wolfgang Strauss. CAD in Architektur und Design. Die ergonomische Gestaltung von Räumen NOVUM: Hewlett Packard Magazin 4 (1990).
  • Visual Architecture, Design and Art: Faces of the Body
    Fleischmann, Monika and Wolfgang Strauss. Visual Architecture, Design and Art: Faces of the Body Interact, Magazin + Internet 4 (1994).
  • The Body as an Interface
    Fleischmann, Monika and Wolfgang Strauss. The Body as an Interface DOMUS: Magazin for Architecture Design Art Communication 779 (Februar 1996 1997).
  • Murmuring Fields - the making of e-MUSE
    Fleischmann, Monika and Wolfgang et. al. Strauss. Murmuring Fields - the making of e-MUSE DESIGN, I3 Magazine, EU ESPRIT projects (1998).
  • Alan Dunn
    Dr Alan Dunn studied at Glasgow School of Art and The Art Institute of Chicago. He was curator of The Bellgrove Station Billboard Project (Glasgow, 1990-91), lead-artist on the tenantspin project (Foundation for Art & Creative Technology, Liverpool
  • Luke Fowler
    is an artist, filmmaker and musician based in Glasgow. He studied printmaking at Duncan of Jordanstone College of Art and Design in Dundee. He creates cinematic collages that have often been linked to the British Free Cinema movement of the 1950s.
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