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...Digital River, a River Out of Eden: three paintings, a website, and a video. National Young Creators show, 1997, Guarda, Portugal.Artist: Patrícia GouveiaComment:

...ZKM Aussenkenung are a group of five outdoor LED displays that together constitute the signage for the ZKM Centre for Art and Media in Karlsruhe. The contents of these displays are all freely programmable. 1 and 2. A tall column stands on the main road in front of the...

... the potentialities of a new interaction paradigm: augmented virtuality. It was developed as an eSCAPE demonstrator in partnership with the European ESPRIT i3 research program—a cooperative undertaking between the ZKM Karlsruhe, Lancaster University,...

... references in this work are largely derived from Baroque ceiling paintings and aerial/satellite pictures of the surface of Earth. These images alternate in a computer-processed morphology that deconstructs and manipulates the constituent pixels of the...

... flat, shaded, three-dimensional fonts. Of relevance to the understanding of the technologies that enabled this artwork is the fact that in 1988 computer-graphics systems were severely limited in their capability, and this determined the...

... software randomly selects from a vocabulary of architectonic forms that are added, removed and transfigured to create the artwork’s dynamically developing visual compositions. Comprising a variety of iconographic frameworks for spectators to select from,...

... on a dome screen inside an air-inflated igloo-like structure. Commissioned by and presented at the Kyoto Saga University of Art, this structure invites viewers to lie on the floor and look up at the projection. The thematic focus of this work was the...

Conversations offers viewers an immersive, multimodal, interactive narrative experience exploring the events leading up to the escape, recapture, trial and hanging of Ronald Ryan at Pentridge Prison, Melbourne, in 1967; Ryan was the last person

... Studio’s interactive and immersive frameworks allow the viewer the experience of being present in a distant space where artists are engaged in their daily creative craft-making activities. Visitors can freely move their gazes anywhere in the live...

... with that of PLACE-Hampi (2004), offering a ring of spherical images that the viewer can rotate, and then select a particular sphere to enter into. The navigation console then allows viewers to rotate their points of view within each of the these...