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Beesley, Philip and Nancy Yen-Wen Cheng and R. Shane Williamson, ed. FABRICATION: EXAMINING THE DIGITAL PRACTICE OF ARCHITECTURE. Toronto: Riverside Architectural Press, 2004.

Berlot, Uršula. Inventions of Space: Artistic, Scientific and Philosophical Intuitions of Contemporary Spatial Concepts. Journal for the Critique of Science, Imagination, and New Anthropology. Lljubljana: Inštitut Časopis za kritiko znanosti

Vanouse, Paul and Simon A. Cole and Jens Hauser and Hans-Jörg Rheinberger. Paul Vanouse - Fingerprints. Germany: Jens Hauser and Heike-Catherina Mertens, Schering Stiftung, 2011.

Okada, Tomohiro. Mediadrive after ICT Penetration of the Tokyo Environment / Mediadrive nach der IKT-Durchdringung der Tokioter Szene In Ars Electronica 2001: TAKEOVER - Who´s Doing the Art of Tomorrow? / Wer macht die Kunst von morgen?, edited

Berlot, Uršula. The Space of Infrathin Difference: Non-similar Similarity in Duchamp’s Art Sodobnost, nov. 2010/74. Ljubljana: Kulturno-umetniško društvo Sodobnost International (2010).

Kelso, Margret Thomas and Peter Weyhrauch and Joseph Bates. Dramatic Presence Presence 2, no. 1 (1993).

Stafford, Barbara Maria. Body Criticism. Imaging the Unseen in Enlightenment Art and Medicine. Cambridge, London: The MIT Press, 1991.

Gombrich, Ernst Hans. Kunst und Fortschritt. Wirkung und Wandlung einer Idee. Köln: DuMont Buchverlag, 2002.

Hayles, Katharine. How We Became Posthuman: Virtual Bodies in Cybernetics, Literature and Information. Chicago, London: University of Chicago Press, 1999.