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Atom, Bit, Coin, Transactional Art Between Sublimation and Reification
2019
Event: Atom, Bit, Coin, Transactional Art Between Sublimation and ReificationInstitution: City University Hong KongComment:
Atom, Bit, Coin, Transactional Art Between Sublimation and Reification
2019
Event: Atom, Bit, Coin, Transactional Art Between Sublimation and ReificationInstitution: Art Machines: International Symposium on Computational Media ArtComment:
VR, Between Sublimation and Reification: The Avatars of Materiality in the Age of Artificial Virtuality
2018
Event: VR, Between Sublimation and Reification: The Avatars of Materiality in the Age of Artificial VirtualityInstitution: ACM VRICComment:
Les émotions ont-elles une forme ? Du concept, au percept, à l’affect, tentative de réification de la subjectivité mondiale
2009
Event: Les émotions ont-elles une forme ? Du concept, au percept, à l’affect, tentative de réification de la subjectivité mondialeInstitution: Colloque Virtureal, CIRTESComment:
Jenseits von Wahr und Falsch, oder die Hinterlist des Bildes
1986
Baudrillard, Jean. Jenseits von Wahr und Falsch, oder die Hinterlist des Bildes In Bildwelten, Denkbilder, edited by Florian Rötzer and Matthäus Bachmayer and Otto Van de LooVol.2. Reihe zur Kunst, Grafrath: Boer Verlag, 1986.
Bewegungsbilder und elektronische Musik
1960
Whitney, John. Bewegungsbilder und elektronische Musik In Heft 7 - Forum - Raum, edited by Herbert EimertVol.7. Die Reihe, Wien, Zürich, London: Universal Edition Wien, 1960.
Reihe Video Kunst
2004
Hattinger, Gottfried, ed. Reihe Video Kunst. http://www.hattinger.org/seiten/rvk.html, 2004 th ed.Linz, Austria: Landesgalerie Linz, 2004.
Feminist Server Stack: co-designing feminist web servers to reimagine Internet futures
2022
Nancy Mauro-Flude & Yoko Akama. Feminist Server Stack: co-designing feminist web servers to reimagine Internet futures 1 (2022): 48-62.
REIMAGINE TOMORROW, 1954-2024
2024
-
2024
The exhibition REIMAGINE TOMORROW, 1954-2024, showcases a glimpse of how artists work with technology in their time and what happens to art on the path from thinking to hallucinating machines.
ASCII_Fur_Engine
2002
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2002
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