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  • Vibrant Matter: A Political Ecology of Things
    Bennett, Jane. Vibrant Matter: A Political Ecology of Things. Vol.1. ohn Hope Franklin Center Book, 1 th ed.United States of America: Duke University Press, 2010.
  • Alison Bennett
    Artist: Alison BennettComment:
  • Fantasmi
    Bennett, Jill and Dennis Del Favero. Fantasmi. Sydney, AUS: UNSW Press, 2004.
  • Die interaktive Porträtsammlung des Museums für Kommunikation -
    Installation vidéo interactive utilisant quatre ordinateurs en réseau munis de plaques tactiles, quatre lecteurs vidéosiques et quatre projecteurs vidéo. Quatre écrans, quatre personnages (Rebecca, Lotti, Benoit et Monsieur Gurtner) qui
  • Temple -
    Media:loudspeakers, amplifiers, telephone number Dimensions:24" x 20" x 20" Description: adaptation of the Delphi "Tholos" Temple Ruin. Electroacoustic Sculpture made of 3000 recycled loudspeakers, amplifiers and radios. Sound: white noise. People
  • L´art biotech ou quand l´art se fait chair
    Browaeys, Dorothée Benoit. L´art biotech ou quand l´art se fait chair L´Observatoire de la génétique 10 (March-April 2003).
  • Lawrence Malstaf
    The work of Lawrence Malstaf can be situated on the borderline between the visual and the theatrical. After having studied industrial design, Lawrence Malstaf starts of in theatre. He designs scenographies for choreographers and directors as Benoît
  • Aesthetics of the Worst, the first simposium of the Centre Pompidou Metz
    Kisseleva Olga and Pelt Jean-Marie and Toma Yann and Vesna Victoria and Mangin Benoit and Laval-Jeantet Marion and Lageira Jacinto and Glissant Edourad and Clement Gilles. Aesthetics of the Worst, the first simposium of the Centre
  • bit international 1 - the theory of information and new aesthetics
    Bense, Max and Abraham A. Moles, ed. bit international 1 - the theory of information and new aesthetics. Zagreb: Galerije grada Zagreba, 1968.
  • Frieder Nake "Die präzisen Vergnügen" -
    The exhibition shows works by the computer scientist, Frieder Nake (now resident in Bremen), who was a member of the Stuttgart group led by Max Bense. He displayed his first algorithmically generated digital graphics in Stuttgart in 1965, as did
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