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Stocker, Gerfried and Christine Schöpf, ed. Ars Electronica 2003: Code -The Language of our Time. Ostfildern-Ruit: Hatje Cantz, 2003.

Gagnon, Jean. Dionysus and RGlobal: Immersion in Char Davies´s Environments In Char Davies: Ephémère, exhibition catalogue, Ottawa, CAN: 1998.

Hsiao-chiu, Lai. Revelation -Notification: Research Solo Exhibitionby Lin Pey-Chwen http://www.linpeychwen.org/wp-content/uploads/2013/09/Revelation-Notification.pdf.

Škrjanec Breda and Majda Božeglav Japelj (ur.). Selfish me – avtoportreti/autoritratti/self-portraits Piran: Obalne Galerije Piran (2019).

Gernemann-Paulsen, A. and C. Robles Angel and U. Seifert and L. Schmidt. Physical Computing and New Media Art – new challenges events. 27. Tonmeistertagung (2012).

Hillis, W. Daniel. The Connection MachineHillis, W. Daniel 256 (Jun 1987): 108-115.

Hansen, Mark. Embodying Virtual Reality: Touch and Self-Movement in the Work of Char Davies Critical Matrix: The Princeton Journal of Women, Gender and Culture 12, no. 1-2 (2001): 112-147.

Chris Salter. Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance In CMMR Post Symposium Proceedings, Springer LNCS Series, : 2008.

... Interaction with the Internet In...

GEMMA ARGUELLO MANRESA. Relational Architecture: „Voz alta“ (Loud Voice), Rafael Lozano-Hemmer In PERFORMING CULTURES, edited by JAKUBPETRI, 43-51. KRAKOW: Institute of Philosophy of Jagiellonian University, 2015.