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  • Pixelware, a sublime forgery exhibition
    Carpenter, JR. Pixelware, a sublime forgery exhibition Dazibao Gallery (January 2005).
  • About Academia -
    Event: About AcademiaInstitution: The Carpenter Center for the Visual ArtsComment:
  • Virtual Balance - video
    VIRTUAL BALANCE: LOOKING WITH THE FEET 1994 Understanding interactivity in cyberspace as a seamless experience rather than a clickable one, Virtual Balance borrows from the myth of the magic carpet to move through data. The magic carpet, popularized
  • Guilherme Fonseca
    was born in São Paulo, Brazil in 1982. He holds a Master's in Arts and Architecture Critics from the Universidade de Coimbra, Portugal under the supervision of Doc Jacinto Teias Lageira and a Bachelor from the Fundação Armando Álvares Penteado FAAP,
  • ARTEC 89 -
    The theme of the Biennale is 'the possibility for art and technology: high technology art as modern art, computers and artistic expression, high technology art as a means of expression, high technology art in urban environments'. It offered and
  • A -
    date | place APR 26 - JUN 18, 2000 Hayward Gellery, London, UK tech spec speaker HHB Circle 5 8 power amplifier non-specific 4 8ch HD playback system AKAI DR8 1 white wall non-specific 2 white
  • Pavilion of Dreams: FOREST -
    Notes on Preliminary Plan and Accompanying Images. • The public enter through a gently curved corridor allowing time for their eyes to adjust to the low light level and obscuring the view ahead of the Forest. • Choice of paths to give a
  • An Explicit Volume -
    An Explicit Volume is an interactive installation comprising nine books arranged in a three by three grid. Each book is operated by an electronic page turner. The project is sited in a darkened space where four red vinyl chairs are arranged facing
  • Red Carpet Showroom -
    Event: Red Carpet ShowroomInstitution: Red Carpet Showroom KarlsplatzComment:
  • Carré blanc sur fond blanc -
    Deux pièces datant du début des années 1980, parmi les toutes premières œuvres de Maurice Benayoun, s’articulent autour de la thématique historique du Carré blanc fond blanc de Kazimir Malevitch. L’artiste n’a alors pas encore exploité le
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