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La 3D dans les systèmes interactifs, habillage ou langage?
1994
Benayoun, M.. La 3D dans les systèmes interactifs, habillage ou langage? www.benayoun.com.
Quarxs à la Brain Factory: Dialogue between Maurice Benayoun and François Schuiten
2016
Event: Quarxs à la Brain Factory: Dialogue between Maurice Benayoun and François SchuitenInstitution: Machines à dessiner à l'heure du numérique, Musée des arts et métiersComment:
L’Art immersif et ses débordements, rencontre avec Maurice Benayoun et ses invités
2006
Event: L’Art immersif et ses débordements, rencontre avec Maurice Benayoun et ses invitésInstitution: Le Cube, Issy les MoulineauxComment:
ISEA 2016 Hong Kong Open Sky Project for ICC
2016
2016 ICC Building screen (20th May- 4th July) Open Sky Project Curator: Maurice Benayoun Jury Members: Caroline Ha Thuc, Christiane Paul, Doo Eun Choi, Ellen Pau, Jeffrey Shaw, Li Zhenhua, Maurice Benayoun, Nina Colosi, Susa Pop, Tanya Toft, Tony W
Maurice Benayoun’s Works
2002
Event: Maurice Benayoun’s WorksInstitution: School for Visual Arts, Kathy Brew seminarComment:
Why history of art will probably forget Maurice Benayoun's Art Work ?
2002
Event: Why history of art will probably forget Maurice Benayoun's Art Work ?Institution: Emoçao Artificial, Itau CulturalComment:
Viewpoint
1975
video
This work created a collage of fictional events within a museum space by making projected images of the events appear contiguous with the real space and actual situations. The work was constituted by two structural elements: a large projection
Artist and Audience
1990
Grieder, Terence. Artist and Audience. London: Brown and Benchmark, 1990.
Lavoslava Benčić
Lavoslava Benčić is a creator in the field of culture from 1985. She have gained numerous experiences in ideological concepts, designs and implementation of media projects.
The virtual thematic route : from experience to infinity.
2016
Lavoslava Benčić. The virtual thematic route : from experience to infinity. he international journal of new media, technology and the arts 11 (2016): 1-12.
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