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Cells
2021
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2021
Event: CellsInstitution: Vortic.artComment:
Mirrors of the Unseen (Tableaus)
2010
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2011
Printing on aluminium 100 x 200cm UV print; coated aluminum, colored epoxy resin Images are hypotheses about the visible. Only the viewers ability to connect what they see with their own knowledge and sentience makes a picture readable. The aluminum
Schmutziges Licht (LICHTPHON Art-Avant X)
2018
Schmutziges Licht ( LICHTPHON ART-AVANT X ) Sound/Video Work Schahram Poursoudmand (Music & Sound Artist, Composer, Visual Imagist, Poet) & Yoann Trellu (Video & Visual Artist) An abstract, poetic visual-sound-drama The visual, tonal union and view
e-volved cultures xxwide
2008
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2008
driessens & verstappen e-volved cultures xxwide, 2008 Variable screen. Software for Mac OS X, installation with 2 projectors Supported by: Mondriaan Foundation, Ámsterdam Acknowledgements: The Netherlands Foundation for Visual Arts,
gameboy_ultraf_uk
1997
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1999
The work consists of a Free Software Game Boy emulator whose rendering system has been (pathologically) rewritten to degenerate over time. Game entities mutate into background and interface elements, or appear as fragments of the games binary
Cellular Archeology
1996
Anker, Suzanne. Cellular Archeology Art Journal 55 (1996): 33-34.
Mandl/ Krautgasser
Annja Krautgasser is a media artist and architect who has been teaching on architecture, media, and the public at the Academy of Arts in Linz, and is an assistant at the Technical University in Graz, Austria. Rainer Mandl, born 1968, is a web and
Andy Lomas
Andy Lomas is a mathematician, digital artist and Emmy award winning supervisor of computer generated effects. Cellular Forms is the latest part of Morphogenetic Creations: a series of work which explores how complex organic structures, such as
Simmulation of Cellular Patterns by Computer Graphics
1969
Puzin, M.. Simmulation of Cellular Patterns by Computer Graphics. Toronto, CAN: University of Toronto, Department of Computer Science, 1969.
Serial Parallels
2019
This experimental animation approaches Hong Kong’s built environment from the conceptual perspective of celluloid film, by applying the technique of film animation to the photographic image. The city’s signature architecture of horizon-eclipsing
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