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Christiane Paul. Expanding Cinema: The Moving Image in Digital Art In Film and Video Art, edited by Stuart ComerLondon: Tate Publishing, 2008.

Christiane Paul. Digital Art / Public Art: Governance and Agency in the Networked Commons In Interface Cultures - Artistic Aspects of Interaction, edited by Christa Sommerer and Laurent Mignoneau and Dorothee KingVienna/London: Springer Verlag,

Christiane Paul and Margot Lovejoy and Victoria Vesna. Context Providers. Conditions of Meaning in Media Arts. Bristol: Intellect Ltd., 2011.

Paul, Christiane. Neural Networks vs. Computer-Networked Environments. Cognition and Communication in Digital Art http://www.artbrain.org/neural-networks-vs-computer-networked-environments-cognition-and-communication-in-digital-art/ [21.10.2014].

Huhtamo, Erkki. Thinkering with Media: On the Art of Paul DeMarinis In Paul DeMarinis: Buried in Noise, edited by Ingrid Beirer and Sabine Himmelsbach and Carsten Seiffairth, 33-46. Heidelberg/Berlin: Kehrer, 2010.

Paul, Christiane. Reflections of Our Selves—The Art of Scott Snibbe.. Los Angeles: Telic Art Gallery, 2005.

Wells, Paul and Johnny Hardstaff, ed. Re-Imagining Animation (Animation Academy, Loughborough University, UK). Vol.ISBN 9782940373697. 1 th ed.Lausanne: AVA Publishing SA, 2008.

Paul Thomas. Nanoart: The immateriality of Art. Chicago: Chicago Press, 2013.

Andres Burbano and Paul Thomas. Between punched film and the first computers, the work of Konrad Zuse. In Relive : Media Art Histories, edited by Sean CubittCambridge, Mass.: MIT Press, 2013.

Fourmentraux Jean-Paul and Mahé Emmanuel and Huitorel Jean-Marc and Pontbriand Chantal. Valeurs croisées, catalog of the 1st Rennes Contemporary Art Biennale. Dijon, France: Les presses du réel, 2009.