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  • The Abject in Contemporary Photo-Works: Borderline States of Corporeal AffectAuthor: Bullock, Natasha
  • Seit den 90er Jahren haben sich zwischen den Künstler und sein Publikum jede Menge Apparate und Apparaturen geschoben. Kommunikation geschieht geplant, kontrolliert, reduziert, erweitert – kurz: posthuman. Dabei wird in Kauf genommen, dass jedes
  • Cosmic Matter -
    Cosmic Matter brings forth Csuri s ability invoke Surrealism and Abstract Expressionism within the realm of technology. As Maurizio Calvesi eloquently described the dynamics of this piece, Cosmic Matter is an explosion of coloured splinters, in a
  • The human-technology relationship opens up a new environment linked to the effects of technologies on our lives and causes an anthropological revolution through the presence of interactive systems that modify our perception of the world. In the last
  • In Sound Mind -
    Human brains can subtract unwanted sense data – including sound – from the environment when we focus attention. The rest of the information is still being processed; it’s just attenuated, pushed to the background. In Sound Mind explores this
  • Light Folds Craig Tattersall and Bill Seaman The Seaman and the Tattered Sail Available as a digital Release: https://facture.bandcamp.com/album/light-folds-2 The audio process Light Folds by The Seaman and The Tattered Sail is a collaboration
  • Perhaps -
    This is the first poem written specifically for Internet 2. The poem is a world with 24 avatars, each a different word. Each reader, in order to read the poem, must establish his or her own presence in this textworld through a verbal avatar. As
  • Underscan - video
    Under Scan is an interactive video art installation for public space. In the work, passers-by are detected by a computerized tracking system, which activates video-portraits projected within their shadow. Over one thousand video-portraits of
  • Upon the invitation of the Lindisfarne Association and the Cathedral Church of St. John the Divine in New York City, a concert of audiovisual mathematics/music took place in the Cathedral Church on 17 October, 1992, at about eight o'clock in