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The Abject in Contemporary Photo-Works: Borderline
Sta
tes of Corporeal Affect
2002
The Abject in Contemporary Photo-Works: Borderline
Sta
tes of Corporeal AffectAuthor: Bullock, Nata
sha
I am a Sensor
2013
Seit den 90er Jahren haben sich zwischen den Künstler und sein Publikum jede Menge Apparate und Apparaturen geschoben. Kommunikation geschieht geplant, kontrolliert, reduziert, erweitert – kurz: posthuman. Dabei wird in Kauf genommen, dass jedes
Cosmic Matter
1990
-
1990
Cosmic Matter brings forth Csuri
s a
bility invoke Surrealism and Abstract Expressionism within the realm of technology. As Maurizio Calvesi eloquently described the dynamics of this piece, Cosmic Matter is an explosion of coloured splinters, in a
Humanisation et naturalisation des technologies : de l’interactivité aux systèmes enactif
s-a
ffectifs
2022
-
2022
The human-technology relationship opens up a new environment linked to the effects of technologies on our live
s a
nd cause
s a
n anthropological revolution through the presence of interactive systems that modify our perception of the world. In the last
In Sound Mind
2006
-
2006
Human brains can subtract unwanted sense data – including sound – from the environment when we focu
s a
ttention. The rest of the information is still being processed; it’s just attenuated, pushed to the background. In Sound Mind explores this
The
Sea
man and the Tattered Sail - Light Folds -
Sea
man with Craig Tattersall - Double Album/Double CD/Audio DVD
2013
Light Folds Craig Tattersall and Bill
Sea
man The
Sea
man and the Tattered Sail Available a
s a
digital Release: https://facture.bandcamp.com/album/light-folds-2 The audio process Light Folds by The
Sea
man and The Tattered Sail i
s a
collaboration
Perhaps
1998
-
1999
This is the first poem written specifically for Internet 2. The poem i
s a
world with 24 avatars, each a different word. Each reader, in order to read the poem, must e
sta
blish his or her own presence in this textworld through a verbal avatar. As
Under
sca
n
2005
-
2005
video
Under
Sca
n i
s a
n interactive video art in
sta
llation for public
spa
ce. In the work, passers-by are detected by a computerized tracking system, which activates video-portraits projected within their
sha
dow. Over one thousand video-portraits of
/rosa (Zentrum für Netzkunst, Panke Gallery)
MIMI and the Illuminati
1992
-
2006
Upon the invitation of the Lindi
sfa
rne Association and the Cathedral Church of St. John the Divine in New York City, a concert of audiovi
sua
l mathematics/music took place in the Cathedral Church on 17 October, 1992, at about eight o'clock in
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