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Topography of Movement
2016
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2016
Dynamic projection The dynamic image projection 'Topography of Movement' features two oversized hands in motion. They seem to be feeling out their environment, gliding or swiping over the surface upon which they rest. The two cropped projections
Virtual Terms
1992
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1997
Computer-controlled light installation with three LED bars Lower Austria State Academy, St Pölten (A), competition 1992, realization 1997 (after moving to the government district of St Pölten) The installation 'Virtual Terms' was designed for the
DO NOT CROSS
2014
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2014
The two-part video installation 'DO NOT CROSS' shows rides alongside border fences in the United States, Belfast and Jerusalem. The rides are presented as stop motion videos composed of single-panorama shots. The images are taken from a common
Enchantment of the Seas
2017
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2017
Print on gold-plated steel The golden tableau depicts the outline of the Mediterranean Sea and its neighbouring states; escape routes and ferry routes, routes of cruise liners and patrol boats that cross the sea on their journeys were superimposed,
Digital Synesthesia: A Model for the Aesthetics of Digital Art
2016
Gsöllpointner, Katharina and Ruth Schnell and Romana K. Schuler. Digital Synesthesia: A Model for the Aesthetics of Digital Art. Berlin/Boston: Walter de Gruyter, 2016.
Ruth Schnell-- Das Sehen re-konstruieren
1998
Hofleitner, Johanna. Ruth Schnell-- Das Sehen re-konstruieren EIKON - Internationale Zeitschrift für Photographie & Medienkunst 24 (1998).
On the occasion of La Biennale di Venezia 1995
1995
Schnell, Ruth. On the occasion of La Biennale di Venezia 1995 In On the occasion of La Biennale di Venezia 1995, edited by Ruth SchnellVienna: 1995.
Ruth Schnell, 2006
2006
Thun-Hohenstein, Christoph. Ruth Schnell, 2006 In 21 POSITIONS, edited by Christoph Thun-HohensteinNew York: Austrian Cultural Forum New York, 2006.
Curvature
2015
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2015
video
Robotic object, performance A 3D printing pen attached to a robot in motion produces random topographies out of plastic filament, set at regular intervals. The resulting spatiality oscillates between liability and dissolution. The work was conceived
Concertina
2017
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2017
Print on gold-plated steel An UV print on gilded steel features a series of ornamental patterns. As in the project 'Violating Patterns (2014)', 'Concertina' adopts representations of NATO barbed wire models from the product catalogue of a
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