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Bokhorov Constantin. « D’où venons-nous ? Qui sommes-nous ? Où allons-nous ? », in "Where are you ?". Moscow, Russia: Moscow Contemporary Art Institute, 2001.

Galloway, Alexander. French Theory Today — An Introduction to Possible Futures. New York: The Public School New York, 2010.

DOMINGUES, DIANA MARIA G. Repensar o humano em conexões com lugares imaginários Razón y Palabra , no. 49 (2006): 49.

DOMINGUES, DIANA MARIA G. Ciberespaço e rituais: tecnologia, antropologia e criatividade . Horizontes Antropológicos 21, no. 10 (2004).

Funkhouser, C.T.. Prehistoric digital poetry. An archeology of forms 1959-1995. Tuscaloosa: University of Alabama Press, 2007.

Biggs, Simon and Mariza Dima and Henrik Ekeus and Sue AND Timmons Hawksley and Mark Wright. The "H" in HCI: Enhancing Perception of Interaction through the Performative In Virtual and Mixed Reality, edited by R. ShumakerVol.LNCS 5622. , 3-12.

Penny, Simon. Darwinin kone: keinoelämä ja taide (Excerpts from the Darwine Machine: Artificial Life and Art) In Johdatus uuteen mediaan (Introduction to New Media), edited by Minna Tarkka and Kari A. Hintikka and Asko Mäkelä, 183-194. Helsinki:

Fleischmann, Monika and Jasminko Novak and WolfgangAND Kaliva Strauss and Predrag Peranovic. On-line and on-site on equal terms I3 magazine The European Network for Intelligent Information Interfaces , no. 7 (2000).

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Schnell, Ruth and Martin Kusch. E/M/D/L - European Mobile Dome Lab for Artistic Research (2013-15) In Contemporary Code - Artistic Research, edited by G. Bast and A. Damianisch and R. Schuler, 56-59. Vienna: University of Applied Arts Vienna,