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  • Grau, Oliver. Archäologie des Virtuellen, Stephan Oettermann: The Panorama: History of a Mass Medium Leonardo 32, no. 2 (1999): 143-144.
  • Penny, Simon. Prefiguring Cyberculture, an intellectual history In Traces, edited by Darren Tofts and Annemarie Jonson and Alessio CavallaroCambridge, MA: MIT Press, 2004.
  • Goldberg, Ken. A Brief History of Robotics In National Academy of Engineering Frontiers of Engineering Symposium, Irvine, CA, edited by National Academy of EngineeringIrvine, CA: 1999.
  • Stoichita, Victor. A Short History of the Shadow. London, UK: Reaktion Books, 1997.
  • Lanfranco Aceti works as an academic, artist and curator and is the founder of The Studium: Lanfranco Aceti Inc. He is the founder and Director of OCR (Operational and Curatorial Research in Contemporary Art, Design, Science and Technology) and
  • Richard Brown has a BSc in Computers & Cybernetics and an MA in Fine Art and creates interactive artworks using multi-media technology, computer programming, electronics and interfacing. Between 1995 and 2001 Richard was a Research Fellow at the
  • Taussig, Michael. Mimesis and Alterity: A Particular History of the Senses. New York: Routledge, 1992.
  • Artist/academic. She studied an MsC in information technology applied to arts at Chalmers University of Technology and a PhD in Digital arts and experimental media at University of Washington. She has published articles in journals such as Artnodes,
  • Critical Art Ensemble (CAE) is a collective of five tactical media practitioners of various specializations including computer graphics and web design, film/video, photography, text art, book art, and performance. Formed in 1987, CAE's focus has
  • During the past seventeen years Czarnecki's work has centred on ways of exploring and expressing ideas generally based around the human, the physical, biological and psychological. More recently her work has been concerned with investigating the