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  • Grau, Oliver and Andreas Keil, ed. Mediale Emotionen. Zur Lenkung von Gefühlen durch Bild und Sound. Frankfurt/Main: Fischer Verlag, 2005.
  • 2017 ITAU Cultural 30 year Collection at the OCA Pavilion (25.May.-13.October.2017) with 750 works curated by Paulo Herkenhoff, Thais Rivitti and Leno Veras. - Sao Paulo, Brazil
  • In this installation, projection takes place on a dome screen inside an air-inflated igloo-like structure. Commissioned by and presented at the Kyoto Saga University of Art, this structure invites viewers to lie on the floor and look up at the
  • Conversations@the Studio presents a natural navigation of a real-world situation—a contemporary glass craftsman’s studio. By displaying a 360-degree global video recording, made on location at the glass blowing studio, it provides the tele-present
  • Description on chrissalter.com: What if we could feel on our bodies the presence of others at a distance? Haptic Field is a participatory multi-sensory installation merging contemporary fashion, wearable technology and an exploration of the senses
  • Al GRANO: Corn Regime -
    “Al Grano: Corn Regime” addresses the livelihood struggles of maize growers in Mexico – center of origin, domestication and biodiversity of maize - and the balance/unbalance created by environmentally sustainable and exploitative agro-practices
  • Camerin Obscura -
    *Camerin Obscura* is a hand made Camera Obscura - an ancient tool for visualization - that integrates a basic artificial vision system and a sound server looking for an unusual experience integrating image, audio and computation. From a cultural
  • "Semioptics for Spinoza", 2012 Shadow Object 3 computer, kinect, projector, metal, motor, arduino processor, lens projection: 68.9 x 48" / 175 x 122 cm wall mount: 28.4 x 17.3 x 11.8" / 72 x 44 x 30 cm "Semioptics for Spinoza" is the third
  • "Flatsun," 2011 Custom-made LED screen, computerized surveillance tracking system, fluid dynamic algorithms (Navier Stokes, fractal flames, reaction diffusion and Perlin noise), aluminium, stainless steel, glass 55.12" / 140 cm diameter 6.3" / 6
  • Kisseleva Olga. Le temps à l'oeuvre. Paris, France: co-edition Louvre-Lens et Invenit Éditions, 2012.