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  • Paravent -
    Video sculpture In co-production with Gudrun Bielz The 'Paravent' functions as a projection screen, displaying a video of a car wash routine captured from the inside of a car. The 'Paravent' shifts its normal function as a private object and becomes
  • Ruth Schnell oder der Körper als Schnittstelle zwischen realen und virtuellen Räumen
    Weibel, Peter. Ruth Schnell oder der Körper als Schnittstelle zwischen realen und virtuellen Räumen In On the occasion of La Biennale di Venezia 1995, edited by Ruth SchnellVienna: 1995.
  • On the occasion of La Biennale di Venezia
    Gudrun, Bielz; Schnell, Ruth, ed. On the occasion of La Biennale di Venezia. Vienna: Aperto, 1990.
  • Die Tragtasche als Informationstransformator
    Zillner, Christian. Die Tragtasche als Informationstransformator Published in: Ruth Schnell, Lisi Hämmerle Gallery, Catalog, Bregenz.
  • Mirrors of the Unseen (MotU) #9 -
    Light object The work was conceived for the Printscreen Festival in Holon, Israel. Thinking the internet as a territory and as a field of action, the content of the work addresses matters of social movements, surveillance, algorithms, and
  • Ruth Schnell – Virtual Terms
    Zillner, Christian. Ruth Schnell – Virtual Terms Published in: Veröffentlichte Kunst, Kunst im öffentlichen Raum Issue 4, Catalog des NÖ Landesmuseums, Wien.
  • In/different Spaces
    Schnell, Ruth. In/different Spaces Lecture, 1999 as part of the project Differenz held at the Institute of Art History of the University of Innsbruck. Published in: Institute of Art History of the University of Innsbruck (editor): Differenz,
  • RISIKO -
    Installation Europe, North Africa and the Middle East enclose the Mediterranean, generating a space "in-between": refugees seek to traverse it either from the Maghreb states or from Turkey towards Europe; in contrast, Europe creates both real and
  • Territorism II -
    Dynamic video projection 'Territorism II' was conceived in 2005 as an indoor version of the video projection 'Territorism' at the Kunsthaus Bregenz (2002). It was shown for the first time as part of the exhibition In the line of flight in the China
  • Violating Patterns -
    Print on aluminium composite panel The UV print on Alu-Dibond shows a series of ornamental settlements. 'Violating Patterns' adopts the representation of NATO wire models from the product catalog of a market-leading manufacturer. The work arose in
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