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  • ON THE ROAD, YOUNG MEDIA ARTISTS IN CHINA (SHENZHEN)
    NOMINATION EXHIBITION with the contribution of 15 NOMINATORS, nominating 102 YOUNG CHINESE MEDIA ARTISTS that became part of ON THE ROAD Archive. 32 MEDIA ART INSTALLATIONS Guan Shanyue exhibition. Guan Shanyue Museum Shenzhen Co-organised by the
  • YOUNG MEDIA ARTISTS IN CHINA (HK)
    On the Road is a unique, annual project initiated in 2014 by the Guan Shanyue Art Museum, Shenzhen, here seen in its 2018 version. The process involves 15 curators, art critics and scholars, from major institutions, art schools and museums
  • So.So.So. Somebody, Somewhere, Sometime
    Benayoun, Maurice. So.So.So. Somebody, Somewhere, Sometime In Future Cinema, edited by Jeffrey Shaw und Peter Weibel: MIT Press, 2002.
  • So What?
    Benayoun, Maurice. So What? In Future Cinema, the Cinematic Imaginary after Film, edited by Jeffrey Shaw and Peter Weibel, 572-581. Boston, Massachussets: ZKM/ MIT Press, 2003.
  • The Virtual Reality World as a Metaphor
    Benayoun, Maurice. The Virtual Reality World as a Metaphor In Conference abstracts and applications, ACM Siggraph, : 1998.
  • ABSTRACT SHOTS
    The ABSTRACT SHOTS are some of the outcomes of the BRAIN FACTORY that gave the exhibition spectators in Paris, Seoul, Brisbane and Hong Kong the possibility to become “brain-workers”. Using no hands and no words, they gave a shape to human
  • Experimental Computer Art
    Sommerer, Christa and Maurice Benayoun and Lucy Petrovich and Knipp, Tammy and Thomas Lehner. Experimental Computer Art In Siggraph’99 Conference Abstracts and Applications, edited by ACM SIGGRAPH, 142-143. New York: 1999.
  • Autres sites, nouveaux paysages
    Benayoun, Maurice. Autres sites, nouveaux paysages Revue d´esthétique 39 (2001).
  • Cyber Récréation. Ars Electronica 1996
    Benayoun, Maurice. Cyber Récréation. Ars Electronica 1996 Technicart (1996).
  • La 3D dans les systèmes interactifs. Habillage ou langage?
    Benayoun, Maurice. La 3D dans les systèmes interactifs. Habillage ou langage? In La Cultura dell´Interattivitá, Milano: 1994.
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