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  • Intervention with four pneumatic cylinders -
    Destruction of the remnants of an exhibition with sound pneumatics using speakers.
  • 400s -
    henrik menné 400s, 2010 Stearin, iron, wood, various electronics Supported by: The Danish Arts Council Committee for Visual Arts Courtesy: Galleri Tom Christoffersen, Copenhague this machine-sculpture is specially made for the exhibition and
  • Videoschwelle -
    Video installation in public space In the context of the project Freizone Dorotheergasse (Wiener Festwochen and Galerie Metropol), Vienna (AT) In co-production with Gudrun Bielz The work 'Videoschwelle' was conceptualized as part of an exhibition in
  • VideoFest '89
    In only its second year, VideoFest has become the largest european video festival. Video is a young artform; from the beginning, it has been a reaction to the “brave new world” of the highly technical mass societies with all their computers, nuclear
  • Nucleart -
    "During my residency at the laboratory of Dr. Ana Pombo at the Imperial College London, I have created artworks using DNA and chromosomes as an art medium. In “nucleArt” I have used DNA molecules coupled to fluorescent dyes to paint specifically
  • Infinite Replay of One’s Own Self-Destruction - video
    Such is the very essence of this work, which utilizes these various strategies, layered upon each other to create a metaphor about grief and loss. For the stereo speakers can be about brothers, lovers, twins and the destruction of one's mate when it
  • Vicious Circle video
    ... an intimidating/brutalist machine. "Vicious Circle" is...
  • Ellen Pearlman, Myths of Creation & Destruction, ISEA New Mexico 2012 -
    Event: Ellen Pearlman, Myths of Creation & Destruction, ISEA New Mexico 2012Institution: ISEA New Mexico Comment:
  • Das Kapital: Version.07 - 2003 - video
    ... Quickshade? Realistic? Segment Memory in limited...
  • Desxiframent del codi navajo amb Bill Toledo
    Andres E Burbano and Esteban García. Desxiframent del codi navajo amb Bill Toledo Artnodes: revista d'art, ciència i tecnologia (2015).
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