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reConFIGURING the CAVE
1998
-
1998
These are reconfigurations of the original work conFIGURING the CAVE (1997) that for reasons of economy use simplified projection and interface technologies. Instead of the four screen environment, only one wall screen, or combination floor and
Net.Art Browser
1999
video
The Net.Art Browser is a means of conjoining information space with the museum space and hybridizing the interactivity of surfing the Internet with the museum tradition of wall mounted images. While painting, cinema and TV construe images inside a
Heavens Gate - Anamorphic
1993
video
... presents it in a some
what
different viewing situation....
Air-Liquid Display Sculpture
1982
Between two sheets of perspex, 32 channels have been woven out of a transparent plastic tubing. Extending approx. 30m, these channels run from the outside of the building, over and through te front entrance, and thenm along the ceiling of the foyer
Virtual Orchestra
1997
-
1997
"In a room with large-screen walls, where animated virtual players hold different musical instruments, the visitor, wearing data gloves, conducts a musical performance, leading the tempo with one hand and, with the other, directing aspects of the
Nuzzle Afar
1998
-
1998
... Visitors can observe
what
goes on in the other world... it. The view one
get
s of the virtual environment...
Turbulence, Interactive Museum of Unnatural History
1994
-
1995
... questions definitions:
what
is life? Is there anything... through the syner
get
ic combination of mind and...
Aspen Moviemap
1978
-
1979
video
The first interactive moviemap was produced at MIT in the late 1970s of Aspen, Colorado. A gyroscopic stabilizer with 16mm stop-frame cameras was mounted on top of a camera car and a fifth wheel with an encoder triggered the cameras every 10 feet.
Be Now Here
1995
-
2002
video
... as a simulation of
what
net cinema can be, it is...
Displacements
1980
-
1984
video
Displacements is an immersive film installation. An archetypal Americana living room was installed in an exhibition space. Then two performers were filmed in the space using a 16mm motion picture camera on a slowly rotating turntable in the room’s
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