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  • Is a computer-driven slide installation with a soundtrack. The images are projected onto a wall and onto net hung in a ladder . The net creates hologram-like three-dimensional effects. Computerized dissolve equipment produces sequences of images
  • Crave - video
    I participated in the design and implementation of the live digital projections in the theater play “Crave”, using the software Moldeo. The first season of the play was at El Lavapiés Theater, Buenos Aires, between May 20 and December 9, 2006, and
  • La Ferla, Jorge, ed. La Ferla, Jorge Contaminationes Universidad del Buenos Aires 1997. Vol.1. 1 th ed.Buenos Aires: Universidad del Buenos Aires, 1997.
  • Rejane Cantoni and Leonardo Crescenti based in São Paulo, have worked together as an artist duo since 2005. They have held numerous exhibitions in art institutions worldwide, including Ars Electronica in Linz, Berlin and México City, The Creators
  • Currently an Assistant Professor developing an electronic art program at Union College in Schenectady, NY, Fernando Orellana uses new and traditional media as a way of transmitting concepts that range from generative art to socialpolitical
  • Gomez, German. "Zoom & Flexión" (Poetry). Buenos Aires: independient, 2002.
  • Gomez, German. "Paddling in noises" (Poetry). Buenos Aires: Dunken Editorial, 2014.
  • Beiguelman, Giselle and Jorge La Ferla, ed. Nomadismos Tecnológicos (Dispositivos móviles: usos masivos y prácticas artísticas). Buenos Aires: Ariel, 2011.
  • Beiguelman, Giselle. Cine del “postubo” en la era del fin de lo virtual In El cine hace escuela, edited by Jorge La Ferla and Luis Alberto Quevedo, 183-191. Buenos Aires: Fundacion Telefonica, 2014.
  • Fleischmann, Monika and Christian Bohn and Wolfgang Strauss. Visiones liquidas, el espejo virtual de Narciso In Contaminaciones: del videoarte al multimedia, edited by Jorge La FerlaBuenos Aires: Libros del Rojas, 1997.