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  • Initially this work was developed as a stereoscopic projection for a concert of the Huelgas Ensemble conducted by Paul van Nevel and performed at Zeitfenster Biennale Alter Musik 2002 in the DaimlerChrysler Building, Berlin. In its later iterations
  • Fishwick, Paul, ed. Aesthetic Computing.. Vol.1. ISBN 0-262-06250-X, Leonardo Book Review th ed.Cambridge: MIT Press, 2006.
  • Fleischmann, Monika and Wolfgang Strauss. "Public Space of Knowledge: Artistic Practice in Aesthetic Computing." In Aesthetic Computing, edited by Paul Fishwick, MIT Press, Cambridge, 2006. Leonardo Review of Aesthetic Computing 2007 In Aesthetic
  • Curtis is a composer, improvisor and string-bass player who specializes in live electronic performance using gestural controllers. He received his Ph.D. in music composition from Princeton University where his primary teachers were Paul Lansky,
  • In 1993, I was asked to do my first large commission for British Telecom at their HQ in the City of London. I was also invited to exhibit at Images du Futur in Montreal, where despite being a previously unknown, I was given the largest single
  • Artist: Ian Alan PaulComment:
  • 1989-91 Post-graduate MFA, The University of Reading, Reading, England 1985-88 BA Gwent College of Higher Education, Newport, Wales 1984-85 Diploma in Art & Design, Bedford College of Higher Education, Bedford, England
  • Yuxweluptun, Lawrence Paul. Inherent Rights, Vision Rights In Immersed in Technology: Art and Virtual Environments, edited by Mary Anne Moser and Douglas MacLeod, 315-318. Cambridge, MA: The MIT Press, 1996.
  • Paul, Christiane. Renderings of Digital Art Vectors: Digital Art of Our Time Leonardo 35, no. 5 (2002): 471-474 and 476-484.
  • Paul, Christiane. Time Capsule Intelligent Agent 2, no. 2 (1998): 4-13.