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  • Brown, Richard. Stasis: Digital Hypnosis In Reframing Consciousness, edited by Roy AscottLondon, UK: Intellect Books, 1999.
  • Ascott, Roy, ed. Reframing Consciousness. Plymbridge: Intellect Books, 1999.
  • McRobert, Laurie. Immersive Computer Art and the Making of Consciousness In Reframing Consciousness, edited by Roy Ascott, 32-37. Bristol, Wilmington: Intellect Books, 1999.
  • Davies, Char. Ephémère: Landscape, Earth, Body, and Time in Immersive Virtual Space In Reframing Consciousness, edited by Roy Ascott, 196-201. Portland: Exeter, 1998.
  • Kac, Eduardo. Art at the Biological Frontier In Reframing Consciousness, edited by Roy Ascott, 90-94. Exeter: Intellect Books, 1999.
  • SoundSlam -
    ... with 12 sensors, which are sensitive to pressure, a... the right spots allows you to control audiofiles and... are sensitive to pressure, a global acceleration sensor...
  • ... stereotypes under pressure. Her point of view is...
  • Stage performance with three dancers and sixty plastic boxes as scenographic objects, video mapping surfaces, and sound and light sources. Analogy between geopolitics and children's games. Internet found-footage combining images of Syrian refugee
  • The Refusal of Time - Installation at the Documenta 13, Kassel, Germany.
  • Museum of Post-Contemporary Art (MuPCA) in The Dump Paris est une ville qui semble croire à un déterminisme calendaire qui affecterait l’histoire de l’art et plus encore l’architecture de sa conservation. Orsay: un musée du XIXe siècle, le Centre