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Blowup
2008
Blowup is an interactive performance environment, designed for choreographed performances and public interaction. The work consists of a large video projection in which video imagery of the performers/viewers is manipulated in real-time. The
Beam me up, Mr. Ascott: web.art, net.art, arte em redes telemáticas
2001
Michelin, Simone. Beam me up, Mr. Ascott: web.art, net.art, arte em redes telemáticas Rioartes 10, no. 28 (2001): 24-25.
Sistemas telemáticos compartidos: Arquitecturas virtualizadas para un nuevo modelo de creación y la exhibición del arte electrónico contemporáneo.
2003
ALCALÁ MELLADO; José Ramón. Sistemas telemáticos compartidos: Arquitecturas virtualizadas para un nuevo modelo de creación y la exhibición del arte electrónico contemporáneo. Binaria. Universidad Europea de Madrid III (2003).
Dialogical Drawing
1994
What is the condition of the art object in the age of networking and telematics? The piece entitled Dialogical Drawing, 1994, by Eduardo Kac, addresses this question by presenting two identical objects simultaneously at two distinct exhibition
Art and Telematics: Toward the Construction of New Aesthetics
1998
Ascott, Roy. Art and Telematics: Toward the Construction of New Aesthetics. Tokyo: NTT, 1998.
Das Internet und die Zukunft der Kunst: Immaterialität, Telematik, Videokonferenzen, Hypermedia, Networking, VRML, Interaktivität, Bildtelefone, Künstlersoftware, Telerobotik, Mbone und darüber hinaus
1997
Kac, Eduardo. Das Internet und die Zukunft der Kunst: Immaterialität, Telematik, Videokonferenzen, Hypermedia, Networking, VRML, Interaktivität, Bildtelefone, Künstlersoftware, Telerobotik, Mbone und darüber hinaus In Mythos Internet, edited by
Le moment télématique
1987
Ascott, R.. Le moment télématique In L'estetica della communicazione, edited by M. Costa, 81-84. : Palladio Editrice, 1987.
Die virtuelle Stadt im telematischen Raum. Leben im Netz und in Online-Welten
1995
Weibel, Peter. Die virtuelle Stadt im telematischen Raum. Leben im Netz und in Online-Welten In Mythos Metropole, edited by Gotthard Fuchs and B. Moltmann and W. Prigge, 209-222. Frankfurt/Main: Suhrkamp Verlag, 1995.
Télénoïa
1995
Ascott, Roy. Télénoïa In Esthétique des arts médiatiques, edited by L. Poissant, 363-384. Quebec, CAN: Presses de l'Université du Québec, 1995.
TT-turing tuning
1994
Recording quality priority: the 16-bit-recording quality is the selection criterion for the sound selection of turing tuning. This results in a "deauthorization" of the sound material from the original context of its production in order to be
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