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David Tomas
David Tomas is professor in the École des arts visuels et médiatiques at the Université du Québec Montréal. In addition to being an artist whose multimedia work explores the cultures and transcultures of imaging systems, Tomas has written articles
John Tonkin
John Tonkin is a Sydney based new media artist. After studying science and then playing with photography, experimental film and animation, he began making computer animation in 1985. Tonkin develops his own software in programming languages such as
Mari Velonaki
Mari Velonaki has worked as an artist and researcher in the field of interactive installation art since 1995. Velonaki has created interactive installations that incorporate movement, speech, touch, breath, electrostatic charge, artificial vision
Behaviour, Purpose, and Teleology
1943
Rosenblueth, Arturo and Norbert Wiener and Julian Bigelow. Behaviour, Purpose, and Teleology Philosophy of Science 10, no. 1 (January 1943): 18-24.
Machines Like Men
1968
Sutherland, N. S.. Machines Like Men Science Journal 4 (October 1968): 44-48.
BIOTEKNICA: Reflections on Reproductive and Cloning Technologies
2003
Willet, Jennifer. BIOTEKNICA: Reflections on Reproductive and Cloning Technologies Graduate Researcher: Journal for the Arts Science and Technology 1, no. 2 (2003).
Vanessa Vozzo
Vanessa Vozzo is a media artist and professor. She has been working in art since 1990. Specializing in media art from 2005, particularly in the field of art and science/hybrid art and interactive/open documentary. She uses interactive, immersive and
Jennifer Willet
... during resi
den
cies at The Banff Centre...
Helyer's progress: fusing art and science
2002
Potts, John. Helyer's progress: fusing art and science [].
Biotech in Court: A Legal Lesson on the Unity of Science
2007
Swanson, Kara. Biotech in Court: A Legal Lesson on the Unity of Science. Los Angeles, London, New Delhi and Singapore: Social Studies of Science, 2007.
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