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Ich / Auge / Welt - The Art of Vision 1997

Schilling, Alfons. Ich / Auge / Welt - The Art of Vision. Wien, New York: Springer Verlag, 1997.
Displaced Emperors 1997 - 1997 video

Relational Architecture 2 "Displaced Emperors" was the second relational architecture project of Rafael Lozano-Hemmer. This installation used an "architact" interface to transform the Habsburg Castle in Linz, Austria. Wireless 3D sensors
The Gen[H]ome Project exhibition at the Schindler's House 2006 - 2006

Event: The Gen[H]ome Project exhibition at the Schindler's HouseInstitution: MAK Center for the ArtsComment:
Das Bild ist von der Leinwand auf den Schirm gewandert. In Zukunft haben im Museum alle Gattungen und Medien Platz 1999

Weibel, Peter. Das Bild ist von der Leinwand auf den Schirm gewandert. In Zukunft haben im Museum alle Gattungen und Medien Platz Die Welt (June 17th 1999): 16.
Extending interface practice: an ecosystem approach (ACM panel)SIGGRAPH 2002

Jeremijenko, Natalie and Thecla Schiphorst and Michael Mateas and Wolfgang Strauss and Will Wright and Andruid Kerne. Extending interface practice: an ecosystem approach (ACM panel) SIGGRAPH In Proceeding SIGGRAPH '02, ACM SIGGRAPH 2002 conference
Nothing Remains the Same (Sensoric Organ) 2004 - 2004

Influence, change and transformation are keywords in Peter Hagdahls ¦uvre. In 1992 Andréhn-Schiptjenko showed the installation Sustained where sculpture, painting, drawing, snapshots, paperclippings and a powerengine created a system ranging from
Das Gedächtnis der Kunst: Geschichte und Erinnerung in der Kunst der Gegenwart 2000 - 2001

Event: Das Gedächtnis der Kunst: Geschichte und Erinnerung in der Kunst der GegenwartInstitution: Schirn KunsthalleComment:
d'APERTutto, 48th International Venice Biennale 1999 - 1999

Event: d'APERTutto, 48th International Venice BiennaleInstitution: Schirn KunsthalleComment:
Schirn Kunsthalle
Close Up 2006 - 2006 video

"Close-up" is the third piece of the ShadowBox series of interactive displays with a built-in computerized tracking system. This piece shows the viewer's shadow revealing hundreds of tiny videos of other people who have recently looked at the work.

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