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Artificial Changelings
1993
A romance thriller about shopping, Artificial Changelings is presented as an installation in which one person at a time uses body movement to interact with sound and images. Viewers can take turns either as particpants or spectators. The story opens
Tongues of Fire
2004
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2004
Film recordings of vibrating flames represent the articulations of speech, based on 19th century manometric flame devices. (source: www.well.com/~demarini)
Phenakisti-scopes of Light
2003
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2003
Inside sixteen flowerpots placed in a dark room, motors run to rotate transparent disks. A viewer peeking into a flowerpot will find an animation of the images printed on the transparent disk, illuminated by the switching of small white LED, and
Her Long Black Hair
2004
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2004
Janet Cardiff's Her Long Black Hair is a 35-minute journey that begins at Central Park South and transforms an everyday stroll in the park into an absorbing psychological and physical experience. Cardiff takes each listener on a winding journey
Morel´s Panorama
2003
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2003
Digital video installation Custom-made panorama camera, PC, data projector, Macintosh, loud speakers In Morel's Panorama, imagery fed from a panoramic camera (installed in the centre of the gallery) is mapped onto a rendered cylindrical image
Sustainable Cinema No. 3: Praxinoscope Windmill
2011
video
The 19th century Praxinoscope consisted of a circular beveled mirror reflecting a series of animation frames. When the device is spun, a moving image appears on the mirror. Using wind as the power and a structure that references the Eiffel Tower
Invisible City Excerpt 3.00
2003
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2006
video
"The work series entitled netropolis is an exploration of the way global cities will develop in the future. Of similar magnitude to the impact of the industrial revolution in the late 19th century, it is now computer networks and the information
NAKED EYE
2010
Intangible Images Brigitte Felderer: Naked Eye, an installation by Sylvia Eckermann With her installation at Kunstraum Bernsteiner Sylvia Eckermann addresses the presentation of the "white cube" by subverting the boundaries between tableaux vivants
Zoe Beloff
Beloff is a filmmaker who doesn´t just make films. Taken as a whole, Beloff´s recent work constitutes a sort of social archeology of cinema. She is particularly interested in excavating the social roots of cinema in the 19th century and reminding us
The Hacking Monopolism Trilogy
2013
Cirio, Paolo and Alessandro Ludovico. The Hacking Monopolism Trilogy In ISEA 2013: Resistance is futile. Proceedings of the 19th International Symposium on Electronic Art, edited by Kathy Cleland and Laura Fisher and Ross HarleySydney: 2013.
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