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Zonas de contactoArt History in a Global Network
2022
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2022
Twenty years ago, Mary Louise Pratt proposed the notion of a “contact zone” as a place where culture is negotiated and challenged. Art can bridge or destabilize disciplines and methods in ways that reframe histories and bring new insights. Still, on
El vídeo y las vanguardias históricas
1997
Baigorri, Laura. El vídeo y las vanguardias históricas. Colección Textos Docentes n°.95, Barcelona, Spain: Edicions de la Universitat de Barcelona, 1997.
6th editions of the international conference Media Art Histories
2015
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2015
Event: 6th editions of the international conference Media Art HistoriesInstitution: Re-Create 2015Comment:
Surveiller et punir. Naissance de la prison
1975
Foucault, Michel. Surveiller et punir. Naissance de la prison. Bibliothèque des histories Collection Tel Band 225, Paris: Gallimard, 1975.
Hummingbird
1968
video
Collection: Museum of Modern Art, New York. Csuri continued with this experimentation on other drawings, including one of a hummingbird in flight. Csuri produced over 14,000 frames, which exploded the bird, scattered it about, and reconstructed it.
netzkollektor und Mobile Unit – Zwei Module zum Aufbau eines Online-Archivs zur aktuellen digitalen Kultur im Rahmen von netzspannung.org.
2002
Blome, Gabriele and Monika Fleischmann. netzkollektor und Mobile Unit – Zwei Module zum Aufbau eines Online-Archivs zur aktuellen digitalen Kultur im Rahmen von netzspannung.org. Konferenzband EVA 2002. BerlinElektronische Bildverabeitung & Kunst,
Media Art Histories
2007
Grau, Oliver. Media Art Histories. Cambridge, MA: MIT-Press, 2007.
Media Art needs Histories and Archives
2008
Grau, Oliver. Media Art needs Histories and Archives In The 5th Seoul International Media Art Biennale, edited by Seoul Museum of Art, 23-25 and 36-50. Seoul, Korea: Seoul Museum of Art, 2008.
Between punched film and the first computers, the work of Konrad Zuse.
2013
Andres Burbano and Paul Thomas. Between punched film and the first computers, the work of Konrad Zuse. In Relive : Media Art Histories, edited by Sean CubittCambridge, Mass.: MIT Press, 2013.
Social Formations of Global Media Art
2009
Cubitt, Sean and Gundalan Nadarajan and José-Carlos Mariátegui. Social Formations of Global Media Art Third text: Special Issue MEDIA ARTS: Practice, Institutions and Histories 23, no. 3 (May 2009): 217-228.
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