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  • Perhaps -
    This is the first poem written specifically for Internet 2. The poem is a world with 24 avatars, each a different word. Each reader, in order to read the poem, must establish his or her own presence in this textworld through a verbal avatar. As
  • Christiane Paul
    Christiane Paul is Associate Prof. at the School of Media Studies, The New School, and Adjunct Curator of New Media Arts at the Whitney Museum of American Art. She has written extensively on new media arts and lectured internationally on art and
  • Biopoetry (series/concept 1999-present) -
    The biopoem "Erratum I" is what Kac calls a "biotope", that is, a living work that changes in response to internal metabolism and environmental conditions, including temperature, relative humidity, airflow, and light levels in the exhibition space.
  • Interatividade e Ritual: Diálogos do corpo com sistemas artificiais
    DOMINGUES, DIANA MARIA G. Interatividade e Ritual: Diálogos do corpo com sistemas artificiais Arte e Tecnologia Imaginário Real Virtual, Brasília 2 (1999): 56-72.
  • Interatividade e Ritual - diálogo do corpo com sistemas artificiais
    DOMINGUES, DIANA MARIA G. Interatividade e Ritual - diálogo do corpo com sistemas artificiais Revista de Psicanálise da Sociedade Psicanalítica de Porto Alegre 6 (1999): 505-522.
  • Ciberarte: Zonas de Interação
    DOMINGUES, DIANA MARIA G. Ciberarte: Zonas de Interação Catálogo II Bienal do Mercosul Julio Le Parc e Arte e Tecnologia 1 (1999): 39-42.
  • Arte audiovisiva
    Abbado, Adriano. Arte audiovisiva (1999).
  • Concerts for the Deaf: Four Senses Multisensory Concerts 2002 -
    The Four Senses was a series of multi-sensory concerts performed at the Dorothy Winstone Theatre in Auckland in 2002. It built upon two 1999 events - one conceptualised and realised by New Zealand artist Raewyn Turner and one that was created by
  • The Mercury Project - video
    Mercury Project combined robotics and archaeology in an interactive art installation. To our knowledge, the Mercury Project was the first system that allowed WWW users to remotely view and alter the real world via tele-robotics. Users excavated
  • The Spectrascope -
    The gallery installation of The Spectrascope consists of a large scale projection of the image updating in real-time accompanied by the 'fear frequency'*. This is an audio frequency of 19hz, which is just below the range of normal
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