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Perhaps
1998
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1999
This is the first poem written specifically for Internet 2. The poem is a world with 24 avatars, each a different word. Each reader, in order to read the poem, must establish his or her own presence in this textworld through a verbal avatar. As
Biopoetry (series/concept 1999-present)
1999
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2009
The biopoem "Erratum I" is what Kac calls a "biotope", that is, a living work that changes in response to internal metabolism and environmental conditions, including temperature, relative humidity, airflow, and light levels in the exhibition space.
Featured Artist Giselle Beiguelman
04/2015
.. Her art works reflect on urbanity and community as seen through digital media and have been exhibited worldwide at festivals and museums..
Interatividade e Ritual: Diálogos do corpo com sistemas artificiais
1999
DOMINGUES, DIANA MARIA G. Interatividade e Ritual: Diálogos do corpo com sistemas artificiais Arte e Tecnologia Imaginário Real Virtual, Brasília 2 (1999): 56-72.
Interatividade e Ritual - diálogo do corpo com sistemas artificiais
1999
DOMINGUES, DIANA MARIA G. Interatividade e Ritual - diálogo do corpo com sistemas artificiais Revista de Psicanálise da Sociedade Psicanalítica de Porto Alegre 6 (1999): 505-522.
Ciberarte: Zonas de Interação
1999
DOMINGUES, DIANA MARIA G. Ciberarte: Zonas de Interação Catálogo II Bienal do Mercosul Julio Le Parc e Arte e Tecnologia 1 (1999): 39-42.
Arte audiovisiva
1999
Abbado, Adriano. Arte audiovisiva (1999).
Four Senses
2002
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2002
The Four Senses was a series of multi-sensory concerts performed at the Dorothy Winstone Theatre in Auckland in 2002. It built upon two 1999 events - one conceptualised and realised by New Zealand artist Raewyn Turner and one that was created by
The Mercury Project
1994
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1995
video
Mercury Project combined robotics and archaeology in an interactive art installation. To our knowledge, the Mercury Project was the first system that allowed WWW users to remotely view and alter the real world via tele-robotics. Users excavated
The Spectrascope
2004
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2004
The gallery installation of The Spectrascope consists of a large scale projection of the image updating in real-time accompanied by the 'fear frequency'*. This is an audio frequency of 19hz, which is just below the range of normal
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