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  • Utopías del arte tecnológico. Un análisis de la situación, cincuenta años después
    Alcalá Mellado, José Ramón and Vicente Jarque. Utopías del arte tecnológico. Un análisis de la situación, cincuenta años después Artnodes. Revista de arte, ciencia y tecnología , no. 13 (2013): 4-15.
  • Escracho
    Kac, Eduardo. Escracho. Rio de Janeiro: Sai Dessa Lama, 1983.
  • Bewegung in Silber -
    Commissioned by Stiftung Bauhaus Dessau for the Bauhaus Farbfest: Silber 2. Prize at the competition ''Hören und Sehen'' organized by the ZKM (Center for Art and Media) in Karlsruhe and the Institute fuer Neue Musik in Darmstadt. Inspired by the
  • Rafael Lozano-Hemmer
    Rafael Lozano-Hemmer was born in Mexico City in 1967. In 1989 he received a B.Sc. in Physical Chemistry from Concordia University in Montréal, Canada. Electronic artist, develops interactive installations that are at the intersection of
  • Bauhaus Farbfest: Silber -
    Event: Bauhaus Farbfest: SilberInstitution: Bauhaus DessauComment:
  • Ryszard W. Kluszczynski
    Professor of cultural and media studies at Lodz University, Poland, where he is a Chair of School of Media and Audiovisual Culture. Professor at the Academy of Fine Arts in Łódź. 2001 – 2006: Professor of Media Art and Media Theory, Academy of
  • Quarxs à la Brain Factory: Dialogue between Maurice Benayoun and François Schuiten
    Event: Quarxs à la Brain Factory: Dialogue between Maurice Benayoun and François SchuitenInstitution: Machines à dessiner à l'heure du numérique, Musée des arts et métiersComment:
  • Quarxs, dessins et vidéos
    Event: Quarxs, dessins et vidéosInstitution: Médiathèque Georges SandComment:
  • Transdisciplinarité virtuelle, con-fusion et sens dessus dessous
    Event: Transdisciplinarité virtuelle, con-fusion et sens dessus dessousInstitution: H2PTM, Créer du sens à l'ère du numérique, Université Paris 8Comment:
  • reWrite
    The focus of an artwork such as reWrite is identity. The work addresses this theme through the use of interactive systems, where the relationship between the viewer and the artwork is explicit and active. This act of interaction functions to raise
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