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  • Sameh Al Tawil سامح الطويل
    Sameh Al Tawil سامح الطويل Egyptian-German new media artist was born in Cairo, Egypt in 1978. has gained international recognition for his digital art works on contemporary politics and culture in/ of the Middle East. He holds a BA from the
  • Digital Art through the Looking Glass: New strategies for archiving, collecting and preserving in Digital Humanities
    Grau, Oliver and Janina Hoth and Eveline Wandl-Vogt, ed. Digital Art through the Looking Glass: New strategies for archiving, collecting and preserving in Digital Humanities. Krems a. d. Donau: Edition Donau-Universität, 2019.
  • Re:place 2007
    An interdisciplinary forum of over 70 researchers and artists from all over the world, re:place 2007 presents multiple historical relations between art, science and technology. The title ‘re:place’ refers to the sites and the migration of artistic
  • Scene. Attraction. Threshold
    Event: Scene. Attraction. ThresholdInstitution: Kresija GalleryComment:
  • Virtuelle Mauer/ReConstructing the Wall video
    Virtuelle Mauer/ReConstructing the Wall is a virtual reality (VR) artwork, an interactive 3D computer graphic installation that enables users to experience a section of the Berlin Wall in its former complexity. A digital reconstruction of a
  • From the Barricades
    Event: From the BarricadesInstitution: Kreuzberg PavillonComment:
  • Diana Domingues
    Prof. Dr. Diana Domingues is the founder and the Director of LART (Art and TechnoScience Research Laboratory, Brazil). She is a CNPq researcher PQ1 A at the National Research Board, Ministry of Science Technology and Innovation, She actuates as a
  • DIGITAL MONSTERS DON'T BLEED
    DIGITAL MONSTERS DON'T BLEED An algorithm is a distinct method of instructions for calculating and solving a problem or a set of problems. It consists of a number of well-defined individual steps and can, for instance, be implemented to execute a
  • Sylvia Eckermann
    Sylvia Eckermann In Sylvia Eckermann's work, a discursive engagement with form and media culminates in critical artistic reflections about our entanglement as individuals in current socio-economic situations. Eckermann works with various media
  • Ultima Ratio. Software und Interaktive Installation
    Daniela Alina Plewe. Ultima Ratio. Software und Interaktive Installation In Ars Electronica 98: Infowar: Information, Macht, Krieg, edited by Gerfried Stocker and Christine SchöpfWien, New York: Springer, 1998.
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