Archive Search

  • Under the theme Seeking Silicon Valley, the 2012 ZERO1 Biennial will feature work by a diverse group of local, national, and international contemporary artists whose work will transform Silicon Valley into an epicenter for innovative art production
  • The 090909 UpStage Festival took place on 9 September 2009 (with bits on the 8th or the 10th depending on where you were in the world). 14 performances by artists across 9 time zones were presented over the 20 hours of the festival, with audiences
  • The 121212 UpStage Festival of Cyberformance took place 5-12 December 2012 and consisted of two parts: - “Walking backwards into the future” – remounted cyberformances from the past 5 festivals (5-11 December) - “Testing – 1 2, 1 2, 1 2” – new
  • f_(noir) Solo CD Eilean Records - 2015 Shadow Detail 06:36 Ending (part 1) 06:34 Another Day 06:11 Ending (part 2) 05:28 A History of Silence 03:33 A Dark Thought 04:45 Ending (part 3) 05:22 Having Fallen 05:03 The Undoing Of Time 05:58 Endgame
  • Troika is a multi-disciplinary art and design practice founded by Conny Freyer (b. 1976, Germany), Eva Rucki (b. 1976, Germany) and Sebastien Noel (b.1977, France) who met while studying at the Royal College of Art, London. Together, they have
  • Gabriela Galati holds a BA and MA in History of Art from the Universidad de Buenos Aires, and a PhD from Plymouth University, for which her research focused on art theory, media and technology. Currently, she is Professor of Theory and Methodology
  • Moore, Lila. Techno-Spiritual Horizons: Compassionate Networked Art Forms and Noetic Fields of Cyborg Body and Consciousness Technoetic Arts: A Journal of Speculative Research 15, no. 3 (December 2017): 325-339.
  • Moore, Lila. Technoetic Magick: Explorations of the uncanny double as a noetic and magickal system through the complementary lenses of AI image-generation and AR (Jul 2024): 232-239.
  • Event: Fragments for Georges Méliès, Black Box / Chambre NoirInstitution: Moderna MuseetComment:
  • The Magic Flute -
    On view will be fifty working drawings and fragments used in the creation of the scenic design and animation for The Magic Flute, the Mozart opera given brilliant interpretation by William Kentridge in a long-awaited production this past spring