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  • Kinney, Tulsa. Dara and Surrealism https://artillerymag.com/data-surrealism/.
  • Blais, Joline and Jon Ippolito. At the Edge of Art. London: Thames & Hudson, 2006.
  • Farulli, Luca. Voices Gestures Contact In Performing Data: Monika Fleischmann + Wolfgang Strauss, edited by Miękus Vol.http://www.artlinecatalogue.eu/event-performing-data.html.
  • Habeas Corpus is a permanent large scale publicly sited immersive interactive installation composed of two parts. The first part is encountered on entering the subterranean area of the Allen and Overy building in the City of London. As the viewer
  • Kac, Eduardo. Aromapoetry Video https://www.ekac.org/aromapoetry.mov.
  • Heartney, Eleanor. Eduardo Kac’s Télescope intérieur https://www.ekac.org/heartney_telescope_interieur.html.
  • Three proposals for sculptures on the Hayward Gallery in London: a heap of giant inflatable potatoes on the terrace, an inflatable dome covered with a film projection which constituted a sphere of daytime sky during the night, and the whole building
  • Glove Screen -
    This work was one of three performances during the exhibition This is no Thing - This is a Situation of Opportunity at the Kingly Street Gallery in London. Viewers could interactively control the inflation and deflation of transculent white surgical
  • Shanken, Edward A. Art and Electronic Media. London; New York: Phaidon Press, 2009.
  • Shanken, Edward A.. Art and Electronic Media. London; New York: Phaidon Press, 2009.