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  • Chronotopia
    Chronotopia is a dance theater re-imagining of the one of the oldest Indian epic poems: the Tamil epic Silappatikaram. Attakkalari's multi-media dance production is an episodical journey, which explores the movement of five performers through a
  • Magic Line, In the Name of Kernel series -
    During the transmission from Chicxulub two minutes of silence occurred in which the image and sound were interrupted. Wojtek insisted that this problem was the result of one of the television cameras which had overheated, thus interfering with the
  • Look Up Bombay
    Look Up Bombay is an installation in the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, where visitors to the museum lie down and look up into a dome to view images of ceilings of many of the most spectacular buildings in Bombay. It offers a unique
  • El proceso como paradigma -
    Before the background of unforeseen global processes, credit crash and climate change, the exhibition el proceso como paradigma researches the nature of processes and self organising, processual systems on a cultural level and in the arts. el
  • Sacred Code -
    "Sacred Code" is a rumination on three holy texts:The Old Testament, The New Testament and the Koran, as seen through a digital lens. In this new artwork, Napier has created algorithms that read these three books bit by bit, literally reading
  • Ellen Pearlman
    Ellen Pearlman is a New York based media artist, curator, writer and critic. She is a Research Fellow at MIT, Senior Research Assistant Professor at RISEBA University in Riga, Latvia and a Contributing Editor to Performance Arts Journal (PAJ) MIT
  • Tibetan Sacred Dance
    Pearlman,Ellen. Tibetan Sacred Dance. Rochester: Inner Traditions, 2002.
  • Sacred Code
    Event: Sacred CodeInstitution: Bitforms GalleryComment:
  • Sacred Spaces of the Incorrigible Anarchy of Time
    Event: Sacred Spaces of the Incorrigible Anarchy of TimeInstitution: Barbara Seiler GalleryComment:
  • Impalpability
    ... sensation" Fujuhata chooses detailed views of his...
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