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City of Richmond (BC), Public Art Office. What are you doing, Richmond? https://www.richmond.ca/culture/publicart/collection/PublicArt.aspx?ID=801 https://www.richmond.ca/culture/publicart/collection/PublicArt.aspx?ID=801.
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Fleischmann, Monika and Wolfgang Strauss. Das Digitale Archiv Und Seine Inszenierung: Suchen und Finden im vernetzten Wissensraum Kritische Szenografie: Die Kunstausstellung im 21. Jahrhundert, edited by Kai-Uwe Hemken, Bielefeld: transcript
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Joan Truckenbrod, Chair: The Art Gallery: Touchware. ACM SIGGRAPH Electronic Art and Animation Catalogue Computer Graphics Annual Conference Series 1998 ISBN 1-58113-045-7 ISSN 1098-6154 © 1998 ACM Association for Computing Machinery
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Lavoslava Benčić. An inside look at Oslo's intensive teacher technology training https://web.archive.org/web/20130310022409/edudemic.com/2012/09/an-inside-look-at-oslos-intensive-teacher-technology-training Edudemic (2012).
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https://14.piksel.no/ https://15.piksel.no/ https://16.piksel.no/ https://17.piksel.no/ https://18.piksel.no/ https://19.piksel.no/ https://20.piksel.no/
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Information sites https://microartsgroup.com https://geoffdavis.org Micro Arts’ Geoff Davis computer generative art and text (1980s) is now in the Computer Arts Archive CAA (related to Computer Arts Society CAS); Francisco Carolinum Museum, Linz;
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Performers interact with images and sounds and manipulate four mobile projection surfaces, orchestrating a set of changing architectural constructions. Spectators circulate freely like visitors to an installation, accessing multiple points of view
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Mixed-reality installation with live and virtual performers, encountered via the smartphones of the visitors. Real and virtual situations come together, and micro-narratives emerge, based on shifting degrees of presence, traces of daily gestures and
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Mixed-reality installation with live and virtual performers, encountered via the smartphones of the visitors. Real and virtual situations come together, and micro-narratives emerge, based on shifting degrees of presence, traces of daily gestures and
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Fulldome participatory installation as a metaphor for a prediction machine. Virtual space of knowledge where visitors trigger, via a voice recognition system, one of the twelve clouds of information on the future of work, education, democracy...