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  • Robles, Claudia. EEG Data in Interactive Art Proceedings of the Inter-Society for the Electronic Arts... Robles, Claudia. EEG Data in Interactive Art Proceedings of the Inter-Society for the Electronic Arts...
  • Robles, Claudia. EEG Data in Interactive Art Proceedings of the Inter-Society for the Electronic Arts... Robles, Claudia. EEG Data in Interactive Art Proceedings of the Inter-Society for the Electronic Arts...
  • Robles, Claudia. EEG Data in Interactive Art Proceedings of the Inter-Society for the Electronic Arts... Robles, Claudia. EEG Data in Interactive Art Proceedings of the Inter-Society for the Electronic Arts...
  • Robles, Claudia. EEG Data in Interactive Art Proceedings of the Inter-Society for the Electronic Arts... Robles, Claudia. EEG Data in Interactive Art Proceedings of the Inter-Society for the Electronic Arts...
  • Robles, Claudia. EEG Data in Interactive Art Proceedings of the Inter-Society for the Electronic Arts... Robles, Claudia. EEG Data in Interactive Art Proceedings of the Inter-Society for the Electronic Arts...
  • Robles, Claudia. EEG Data in Interactive Art Proceedings of the Inter-Society for the Electronic Arts... Robles, Claudia. EEG Data in Interactive Art Proceedings of the Inter-Society for the Electronic Arts...
  • Robles, Claudia. EEG Data in Interactive Art Proceedings of the Inter-Society for the Electronic Arts... Robles, Claudia. EEG Data in Interactive Art Proceedings of the Inter-Society for the Electronic Arts...
  • Robles, Claudia. EEG Data in Interactive Art Proceedings of the Inter-Society for the Electronic Arts... Robles, Claudia. EEG Data in Interactive Art Proceedings of the Inter-Society for the Electronic Arts...
  • Robles, Claudia. EEG Data in Interactive Art Proceedings of the Inter-Society for the Electronic Arts... Robles, Claudia. EEG Data in Interactive Art Proceedings of the Inter-Society for the Electronic Arts...
  • INsideOUT -
    This performance is about the materialization of the performer’s thoughts and feelings on the stage. In the performance, imagination becomes spatial. The stage is a place for the appearance of the invisible. Yasu Ohashi says: “the actors aim at our