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AAAI 2012 - The Association for the Advancement of Artificial Intelligence
2012
-
2012
Spring Sympo
sia
.
Regelbasierte und prozedurale Datengenerierung in Computergraphik und Bioinformatik
1998
Deussen, Oliver and Bernd Lintermann. Regelbasierte und prozedurale Datengenerierung in Computergraphik und Bioinformatik In GI Workshop Biomolekulare Informatik, Aachen: Gesellschaft für Informatik Fachgruppe Informatik in den Biowissenschaften,
Ursula Damm
1993
Puvogel, Renate and Ursula Damm and R. Eberts. Ursula Damm. Aachen: LinkNeuer Aachener Kunstverein, 1993.
RECORD>AGAIN!
2009
-
2009
RECORD>AGAIN! 19.09.09–15.11.09 The exhibition of the ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe (Centre for Art and Media Technology) continues its project of the technical and scientific processing of video art initiated by the ZKM in
Raum Muster. Ursula Damm
1993
-
1993
Event: Raum Muster. Ursula DammInstitution: NAK Neuer Aachener KunstvereinComment:
Dreamlogs
2004
-
2004
“You can only command language by obeying it” (G. Perec & M.Bénabou, P.A.L.F. project, OuLiPo 1964) Dreamlog
s a
re an idea association engine. They propose another way to surf on the Internet, by disentangling the discourses that have interlaced
Soft Factory
2010
The human cell is still a mystery to us in many ways. We cannot see it with the naked eye, only with the help of powerful microscopes. This Virtual Reality present
s a
n imaginary inside of a human eukaryotic cell, enlarged about 300.000 times to
You Fade to Light
2009
YOU FADE TO LIGHT Commissioned by Philips Royal Electronics / Milan 2009 ‘You Fade To Light’ is i
s a
n interactive media in
sta
llation that provoke
s a
kinesthetic dialogue between the viewer and their very own mirror image. The work encourages
World@rt
2000
-
2000
Event: World@rtInstitution: VR Media Lab Aalborg UniversityComment:
RECORD > AGAIN! - 40yearsvideoart.de – Part 2
2009
-
2009
RECORD > AGAIN! Part 2 18.07.2009 – 06.09.2009, ZKM | Media Museum, Project Room Description »RECORD > AGAIN! - 40yearsvideoart.de - Part 2« concentrates on early German video art and shows numerous discoveries, which, for the most part, have no
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